Pyotr Ilyich Tchaikovsky, Royal Concertgebouw Orchestra, Anatole Fistoulari's 'Le lac des cygnes, Op. 20 ; TH 12, Act. II, No. 10: Scène, Moderato' came out on March 29, 2024. The duration of Le lac des cygnes, Op. 20 ; TH 12, Act. II, No. 10: Scène, Moderato is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Le lac des cygnes, Op. 20 ; TH 12, Act. II, No. 10: Scène, Moderato's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "Tchaïkovski pour les petits maestros". In this album, this song's track order is #7. Furthermore, we believe that the track originated from France. In terms of popularity, Le lac des cygnes, Op. 20 ; TH 12, Act. II, No. 10: Scène, Moderato is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Le lac des cygnes, Op. 20 ; TH 12, Act. II, No. 10: Scène, Moderato by Pyotr Ilyich Tchaikovsky, Royal Concertgebouw Orchestra, Anatole Fistoulari having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'Arlésienne Suite, No. 2: IV. Farandole | Georges Bizet, Jean Martinon | D Major | 7 | 10B | 77 BPM | ||
Raymonda, Op. 57: Act I - La Romanesca | Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov | E Minor | 0 | 9A | 90 BPM | ||
Capriccio espagnol, Op. 34: Scena e canto gitano: Allegretto | Nikolai Rimsky-Korsakov, Slovak Radio Symphony Orchestra, Keith Clark | A Minor | 2 | 8A | 92 BPM | ||
St Anthony Variations, Op. 56a "Haydn Variations": Var. 6. Vivace | Johannes Brahms, Staatskapelle Dresden, Claudio Abbado | D Minor | 0 | 7A | 82 BPM | ||
交響曲第4番ホ短調作品98 第3楽章:アレグロ・ジョコーソ | ベルリン フィルハーモニー管弦楽団 | C Major | 3 | 8B | 120 BPM | ||
Fantasy in C Major, Op. 15, D. 760, "Wandererfantasie" (arr. C. Koechlin): I. Allegro con fuoco ma non troppo | Franz Schubert, Charles Koechlin, Florian Hoelscher, Stuttgart Radio Symphony Orchestra, Heinz Holliger | G Major | 1 | 9B | 129 BPM | ||
Divertissement, Vorstellungen 1803: No. 5, Marcia | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | D Major | 1 | 10B | 92 BPM | ||
Album for the Young, Op. 140: No. 18 Serenade in Bb | The Gerst Ensemble | A Major | 2 | 11B | 107 BPM | ||
The Haunting Hour | Emiliano Branda | B♭ Major | 2 | 6B | 151 BPM | ||
Symphony No. 2 in E Minor, Op. 27: II. Allegro molto | Sergei Rachmaninoff, Berliner Philharmoniker, Kirill Petrenko | C Major | 2 | 8B | 80 BPM |
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