Georges Bizet, Jean Martinon made "L'Arlésienne Suite, No. 2: IV. Farandole" available on 1965. The duration of L'Arlésienne Suite, No. 2: IV. Farandole is about 3 minutes long, at 3:26. Based on our data, "L'Arlésienne Suite, No. 2: IV. Farandole" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Jean Martinon's "Jean Martinon - The Complete Chicago Symphony Orchestra Recordings" album is number 9 out of 67. L'Arlésienne Suite, No. 2: IV. Farandole is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of L'Arlésienne Suite, No. 2: IV. Farandole by Georges Bizet, Jean Martinon to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
St. Paul's Suite, Op. 29, No. 2: I. Jig | Gustav Holst, Budapest Strings, Karoly Botvay | G Major | 2 | 9B | 121 BPM | ||
Yoda's Theme - From “Star Wars: The Empire Strikes Back” / Live at Suntory Hall, Tokyo / 2023 | John Williams, Saito Kinen Orchestra | E Minor | 1 | 9A | 137 BPM | ||
The White-Haired Girl Suite: Movement 3 - Red Head-Band | Zi Chen, Chi Liu, Kema, Huan Zhi Li, Yu Xiang, Wei Qu, 張露, Shanghai Philharmonic Orchestra, Peng Cao | E Minor | 0 | 9A | 91 BPM | ||
Oboe Concerto in D Major, TrV 292: II. Andante | Richard Strauss, Copenhagen Philharmonic Orchestra, Toshiyuki Kamioka | B♭ Major | 0 | 6B | 68 BPM | ||
Hérold & Lanchbery: La fille mal gardée, Act 1: No. 14, Danse de la flûte | Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth | D Major | 2 | 10B | 134 BPM | ||
Ultimate Sacrifice-Freedom (5m21-22) | John Powell | B♭ Major | 2 | 6B | 95 BPM | ||
Zanetta, S. 33 (Excerpts): Act III Entr'acte | Daniel Auber, Janacek Philharmonic Orchestra, Dario Salvi | A♭ Major | 2 | 4B | 110 BPM | ||
Spartacus, Act I: March of the gladiators and the Egyptian dancing girl (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | A Major | 1 | 11B | 62 BPM | ||
Soul Soaring to Heaven: Prancing Dragons and Running Tigers | Tianqi Luo, Weiwang, Xiangyang Wu, Ruwen Yang, Yuanqing Zhang, Shanghai Philharmonic Orchestra | E Minor | 3 | 9A | 85 BPM | ||
Die Puppenfee (The Fairy Doll): No. 20 | Josef Bayer, Slovak Radio Symphony Orchestra, Andrew Mogrelia | D Major | 1 | 10B | 154 BPM |
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