Luca Schettino made "String Quartet N 20 Mov 1 Mazurka Version Musescore 4" available on February 29, 2024. With String Quartet N 20 Mov 1 Mazurka Version Musescore 4 being less than two minutes long, at 1:17, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 18 out of 70 in Compositions, (Vol. 13) by Luca Schettino. In terms of popularity, String Quartet N 20 Mov 1 Mazurka Version Musescore 4 is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of String Quartet N 20 Mov 1 Mazurka Version Musescore 4 by Luca Schettino is Moderato (at a moderate speed), since this song has a tempo of 113 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto in D Minor "Accademico": III. Presto | Ralph Vaughan Williams, London Choral Sinfonia, Michael Waldron, Jack Liebeck | G Major | 1 | 9B | 79 BPM | ||
Stravinsky: The Rite of Spring, Pt. 1 "Adoration of the Earth": VIII. Dance of the Eart | Igor Stravinsky, San Francisco Symphony, Esa-Pekka Salonen | D Minor | 3 | 7A | 114 BPM | ||
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: III. Scherzino (Allegro – Andantino - Allegro) | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra | F Minor | 0 | 4A | 104 BPM | ||
Balaur | Mathias Proenza, João Marcondes, a Trupe deCompositores | C Major | 0 | 8B | 105 BPM | ||
Fantasia for Cello & Orchestra, W454: III. Allegro expressivo | Heitor Villa-Lobos, Antonio Meneses, Isaac Karabtchevsky, Orquestra Sinfônica do Estado de São Paulo | E♭ Major | 1 | 5B | 133 BPM | ||
Trombone Concertino in E-flat Major, Op. 4: I. Allegro maestoso II | Ferdinand David, Christian Lindberg, Swedish Chamber Orchestra | F Minor | 1 | 4A | 102 BPM | ||
Sinfonía 39 Simbad el marino: 4. El cementario de elefantes | Juan Pablo Fernández Ramos | F Major | 1 | 7B | 94 BPM | ||
Variations on an Original Theme, Op. 36, "Enigma": Var. XIV (E.D.U.): Finale | Edward Elgar, Bournemouth Symphony Orchestra, George Hurst | C Minor | 2 | 5A | 107 BPM | ||
From Jewish Life, B. 54: III. No. 3 Jewish Song | Ernest Bloch, Yevgeny Dokshansky, Richard Masters | F Major | 0 | 7B | 137 BPM | ||
Estancia, Op. 8: Scene 5, El Amanecer - Escena | Alberto Ginastera, Los Angeles Philharmonic, Gustavo Dudamel, Gustavo Castillo | B♭ Major | 1 | 6B | 140 BPM |
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