"Toward the Sea III: 1. The Night" by Toru Takemitsu, Patrick Gallois, Fabrice Pierre was released on January 1, 2000. With this song being around four minutes long, at 3:34, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 13 in the song's album "Takemitsu: I Hear The Water Dreaming; Toward The Sea I/II/III". In this album, this song's track order is #10. Toward the Sea III: 1. The Night is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Toward the Sea III: 1. The Night by Toru Takemitsu, Patrick Gallois, Fabrice Pierre having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prelude for Cello & Piano | Ernest John Moeran, Gerald Peregrine, Antony Ingham | E Major | 0 | 12B | 93 BPM | ||
6 Chansons: No. 2. J'avais un amour autrefois… (I had a love in the past) | Iannis Xenakis, Stephanos Thomopoulos | D Major | 3 | 10B | 142 BPM | ||
Arcadiana, Op. 12: VI. O Albion | Thomas Adès, Danish String Quartet | E♭ Major | 0 | 5B | 77 BPM | ||
Preludes in Quarter-Tone System: IV | Ivan Wyschnegradsky, Josef Christof, Steffen Schleiermacher | F♯ Major | 4 | 2B | 148 BPM | ||
7 Preludes, Op. 17: No. 3 in D-Flat Major | Alexander Scriabin, Maria Lettberg | A Major | 2 | 11B | 103 BPM | ||
Hosokawa: 2 Japanese Folksongs: II. Itsuki no komori uta | Toshio Hosokawa, Emmanuel Pahud, Christian Rivet | G Minor | 0 | 6A | 108 BPM | ||
Quartet for the End of Time | Olivier Messiaen, The Fibonacci Sequence, Jack Liebeck, Julian Farrell, Benjamin Hughes, Kathron Sturrock | F♯ Major | 1 | 2B | 103 BPM | ||
Les Sirènes | Lili Boulanger, Antonii Baryshevskyi, Orpheus Vokalensemble, Michael Alber | F♯ Major | 0 | 2B | 132 BPM | ||
Cancion y Danza No. 6 | Federico Mompou, Belle Chen | E♭ Minor | 1 | 2A | 105 BPM | ||
Must the Devil Have All the Good Tunes?: II. Much Slower; Gently, Relaxed | John Adams, Yuja Wang, Los Angeles Philharmonic, Gustavo Dudamel | F Major | 1 | 7B | 60 BPM |
Section: 0.6252284049987793
End: 0.6332709789276123