Alexander Scriabin, Maria Lettberg's '7 Preludes, Op. 17: No. 3 in D-Flat Major' came out on August 1, 2010. The duration of 7 Preludes, Op. 17: No. 3 in D-Flat Major is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. 7 Preludes, Op. 17: No. 3 in D-Flat Major's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 207 in the song's album "Scriabin: The Solo Piano Works". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Germany. In terms of popularity, 7 Preludes, Op. 17: No. 3 in D-Flat Major is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With 7 Preludes, Op. 17: No. 3 in D-Flat Major by Alexander Scriabin, Maria Lettberg having a BPM of 103 with a half-time of 52 BPM and a double-time of 206 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne No. 4 in E-Flat Major, Op. 36 | Gabriel Fauré, Jean Martin | E♭ Major | 0 | 5B | 62 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
Etude in A-Flat Major | Clara Schumann, Jozef De Beenhouwer | A♭ Major | 0 | 4B | 104 BPM | ||
Premier Nocturne, Op. 22 | Charles-Valentin Alkan, Michael Landrum | B Major | 0 | 1B | 135 BPM | ||
Suite pastorale: III. Sous-bois | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | G Major | 0 | 9B | 0 BPM | ||
15 Improvisations, FP 170: No. 13 in A Minor | Francis Poulenc, Lucille Chung | C Major | 0 | 8B | 72 BPM | ||
Prelude in C Major, Op. 2: II. Prelude in B Major, Op. 3, No. 1 | Julian Scriabin, Evgeny Zarafiants | B Major | 0 | 1B | 117 BPM | ||
3 Romances, Op. 22: No. 1, Andante molto (Arr. Knoth for Cello and Piano) | Clara Schumann, Sophie Kauer, Kunal Lahiry | D♭ Major | 0 | 3B | 68 BPM | ||
4 Sketches, Op. 5, JB 1:67: No. 2, Melancholy. Allegretto | Bedřich Smetana, Jitka Čechová | A♭ Minor | 0 | 1A | 173 BPM | ||
Piano Sonata No. 1 in E-Flat Major, Op. 1, No. 1, H. 8A: II. Rondo: Allegro | John Field, Benjamin Frith | E♭ Major | 1 | 5B | 97 BPM |
Section: 0.6187355518341064
End: 0.6224606037139893