"Les Sirènes" by Lili Boulanger, Antonii Baryshevskyi, Orpheus Vokalensemble, Michael Alber was released on March 22, 2018. Les Sirènes is about six minutes long, preciously at 6:28, making this song fairly long compared to other songs. The track order of this song in Lili Boulanger, Antonii Baryshevskyi, Orpheus Vokalensemble, Michael Alber's "Lili Boulanger: Hymne au Soleil. Chorwerke" album is number 5 out of 15. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Les Sirènes's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Les Sirènes by Lili Boulanger, Antonii Baryshevskyi, Orpheus Vokalensemble, Michael Alber to be Allegro (fast, quick, and bright) because the track has a tempo of 132 BPM, a half-time of 66BPM, and a double-time of 264 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pie Jesu (arr. for voice and organ) | Anonymous, Lili Boulanger, Christine Brewer, Paul Jacobs | C Major | 2 | 8B | 86 BPM | ||
Chichester Psalms: II. Psalm 23, Psalm 2 vs. 1-4 | Leonard Bernstein, Jeremy Budd, Paul Charrier, Elizabeth Franklin-Kitchen, Thomas Kelly, Victoria Nayler, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Marin Alsop | F♯ Minor | 0 | 11A | 70 BPM | ||
Snider: Mass for the Endangered: Alleluia | Sarah Kirkland Snider, Gallicantus, Gabriel Crouch | D♭ Minor | 0 | 12A | 84 BPM | ||
Introduction and Allegro for Harp, Flute, Clarinet and String Quartet | Maurice Ravel, Zoltán Gyöngyössy, Béla Kovács, Eva Maros, Kodály Quartet | E♭ Minor | 1 | 2A | 85 BPM | ||
Ein deutsches Requiem, Op. 45: Ziemlich langsam - Selig sind, die da Leid tragen - 1997 Digital Remaster | Johannes Brahms, Elisabeth Schwarzkopf, Dietrich Fischer-Dieskau, The Philharmonia Chorus, Philharmonia Orchestra, Ralph Downes, Reinhold Schmid, Otto Klemperer | F Major | 1 | 7B | 60 BPM | ||
Let Me Tell You, Pt. III: I Know You Are There | Hans Abrahamsen, Barbara Hannigan, Andris Nelsons, Bavarian Radio Symphony Orchestra | E♭ Major | 0 | 5B | 69 BPM | ||
Feuillet d'album, Op. 58 | Alexander Scriabin, Antonii Baryshevskyi | F Major | 0 | 7B | 71 BPM | ||
4 Gesange, Op. 17: Es tont ein voller Harfenklang | Johannes Brahms, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | C Major | 1 | 8B | 111 BPM | ||
24 Preludes and Fugues, Op. 87: Prelude No. 4 in E Minor: Andante | Dmitri Shostakovich, Konstantin Scherbakov | G Major | 0 | 9B | 100 BPM | ||
Veni creator | Arvo Pärt, Estonian Philharmonic Chamber Choir, Tallinn Chamber Orchestra, Tõnu Kaljuste | G Major | 0 | 9B | 83 BPM |
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