"Peer Gynt Suite No.2, Op.55: 3. Peer Gynt's Return" by Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 1993. The duration of Peer Gynt Suite No.2, Op.55: 3. Peer Gynt's Return is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Peer Gynt Suite No.2, Op.55: 3. Peer Gynt's Return's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan's "Grieg: Peer Gynt Suites / Sibelius: Valse triste" album is number 7 out of 16. Peer Gynt Suite No.2, Op.55: 3. Peer Gynt's Return is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Peer Gynt Suite No.2, Op.55: 3. Peer Gynt's Return by Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan to be Adagio (slowly with great expression) because the track has a tempo of 69 テンポ, a half-time of 34テンポ, and a double-time of 138 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tosca / Act III: "Io de´ sospiri" | Giacomo Puccini, Wolfgang Bünten, Berliner Philharmoniker, Herbert von Karajan | E Major | 0 | 12B | 80 BPM | ||
Concerto grosso in B minor, Op. 6, No. 12: 1. Largo | George Frideric Handel, Michel Schwalbé, Hanns-Joachim Westphal, Ottomar Borwitzky, Karl Scheit, Friedrich Fischer, Herbert von Karajan, Edith Picht-Axenfeld, Berliner Philharmoniker | B Minor | 1 | 10A | 90 BPM | ||
Symphony No. 3 In E Flat, Op. 97 - "Rhenish": 4. Feierlich | Robert Schumann, Berliner Philharmoniker, Herbert von Karajan | E♭ Minor | 1 | 2A | 87 BPM | ||
The Crown Of India: March Of The Mogul Emperors | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | B Minor | 4 | 10A | 90 BPM | ||
The Planets, Op. 32: 4. Jupiter, the Bringer of Jollity | Gustav Holst, Berliner Philharmoniker, Herbert von Karajan | G Minor | 3 | 6A | 140 BPM | ||
Symphony No. 9 in C, D.944 - "The Great": 2. Andante con moto | Franz Schubert, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 1 | 3B | 125 BPM | ||
Ma mère l'oye, ballet, M. 62: 4. Petit Poucet.Très modéré | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez | C Minor | 0 | 5A | 124 BPM | ||
Liebesbotschaft, S. 560/10 from Schwanengesang | Franz Liszt, Arcadi Volodos | G Major | 0 | 9B | 62 BPM | ||
Also sprach Zarathustra, Op.30, TrV 176: Von den Freuden und Leidenschaften | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | C Minor | 5 | 5A | 150 BPM | ||
Götterdämmerung, WWV 86D, Act II: Hagen's Call to His Clan | Richard Wagner, Berliner Philharmoniker, Lorin Maazel | C Major | 1 | 8B | 60 BPM |