Richard Wagner, Berliner Philharmoniker, Lorin Maazel made "Götterdämmerung, WWV 86D, Act II: Hagen's Call to His Clan" available on May 1, 1988. With Götterdämmerung, WWV 86D, Act II: Hagen's Call to His Clan being less than two minutes long, at 1:44, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Wagner: The "Ring" Without Words (Orchestral Highlights from the Ring Cycle) by Richard Wagner, Lorin Maazel, Berliner Philharmoniker. The song's track number on the album is #17 out of 20 tracks. Based on our data, United States was the country where this track was produced or recorded. Götterdämmerung, WWV 86D, Act II: Hagen's Call to His Clan is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
Since Götterdämmerung, WWV 86D, Act II: Hagen's Call to His Clan by Richard Wagner, Berliner Philharmoniker, Lorin Maazel has a tempo of 60 beats per a minute, the tempo markings of this song would be Lento (slowly). With Götterdämmerung, WWV 86D, Act II: Hagen's Call to His Clan being at 60 テンポ, the half-time would be 30 テンポ with a double-time of 120 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Swan Lake (Suite), Op. 20a, TH. 219: I. Scene - Swan Theme | Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Mstislav Rostropovich | E Minor | 2 | 9A | 74 BPM | ||
Peer Gynt Suite No.1, Op.46: 4. In The Hall Of The Mountain King | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 1 | 3B | 92 BPM | ||
Symphony No.1 In C Minor, Op.68: 2. Andante sostenuto | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | E Major | 1 | 12B | 85 BPM | ||
Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: V. Das Menuett des Lully | Richard Strauss, Sir Simon Rattle, Berliner Philharmoniker | E♭ Major | 0 | 5B | 83 BPM | ||
The Planets, Op. 32: 4. Jupiter, the Bringer of Jollity | Gustav Holst, Berliner Philharmoniker, Herbert von Karajan | G Minor | 3 | 6A | 140 BPM | ||
Strauss II, J: Die Tauben von San Marco, Op. 414 | Johann Strauss II, Nikolaus Harnoncourt, Berliner Philharmoniker | D Major | 1 | 10B | 177 BPM | ||
La pentola magica, P. 129: Finale | Ottorino Respighi, Jakub Francisci, Slovak Radio Symphony Orchestra, Adriano | D Minor | 0 | 7A | 91 BPM | ||
Konzertmusik für Streichorchester und Blechbläser, Op. 50: Mäßig schnell, mit Kraft | Paul Hindemith, Leonard Bernstein, New York Philharmonic | D Minor | 3 | 7A | 88 BPM | ||
Symphony No. 3 in F Major, Op. 90: IV. Allegro - Un poco sostenuto (2) | Johannes Brahms, Netherlands Philharmonic Orchestra, Jaap Van Zweden | F Major | 0 | 7B | 67 BPM | ||
Symphony No.6 In F, Op.68 -"Pastoral": 1. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande: Allegro ma non troppo | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | F Major | 1 | 7B | 118 BPM |