"Also sprach Zarathustra, Op.30, TrV 176: Von den Freuden und Leidenschaften" by Richard Strauss, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 1995. With Also sprach Zarathustra, Op.30, TrV 176: Von den Freuden und Leidenschaften being less than two minutes long, at 1:59, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 12 in the song's album "Strauss, R.: Also sprach Zarathustra; Till Eulenspiegel; Don Juan; Salome's Dance Of The Seven Veils". In this album, this song's track order is #4. Based on our statistics, Also sprach Zarathustra, Op.30, TrV 176: Von den Freuden und Leidenschaften's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Also sprach Zarathustra, Op.30, TrV 176: Von den Freuden und Leidenschaften by Richard Strauss, Berliner Philharmoniker, Herbert von Karajan having a テンポ of 150 with a half-time of 75 テンポ and a double-time of 300 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ein Heldenleben, Op. 40, TrV 190: Des Helden Gefahrtin (The Hero's Companion) - | Richard Strauss, Chicago Symphony Orchestra, Bernard Haitink | B♭ Major | 0 | 6B | 136 BPM | ||
Apollon Musagète (1947 Version) / Premier Tableau (Prologue): Naissance d'Apollon Largo - Allegretto - Tempo I | Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan | B Minor | 1 | 10A | 86 BPM | ||
Pines Of Rome, P. 141: 3. The Pines Of The Janiculum | Ottorino Respighi, Berliner Philharmoniker, Herbert von Karajan | E Major | 0 | 12B | 84 BPM | ||
Die Schöpfung Hob. XXI:2 / Erster Teil: Einleitung - Rezitativ und Chor: "Im Anfange" | Franz Joseph Haydn, Gösta Winbergh, Kurt Moll, Berliner Philharmoniker, James Levine, Stockholm Radio Chorus, Stockholm Chamber Choir, Gustav Sjökvist | A♭ Major | 0 | 4B | 80 BPM | ||
Die Walküre, WWV 86B / Act III: "Hojotoho! Heiaha!" | Richard Wagner, Liselotte Rebmann, Danica Mastilovic, Ingrid Steger, Lilo Brockhaus, Carlotta Ordassy, Barbro Ericson, Cvetka Ahlin, Helga Jenckel, Berliner Philharmoniker, Herbert von Karajan | G Major | 4 | 9B | 93 BPM | ||
Symphony No.3 In F, Op.90: 4. Allegro | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 1 | 6B | 124 BPM | ||
Symphony No. 4 In E Minor, Op. 98: 4. Allegro energico e passionato - Più allegro | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | E Minor | 1 | 9A | 91 BPM | ||
Symphony No.1 In C, Op.21: 4. Finale (Adagio - Allegro molto e vivace) | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | C Major | 2 | 8B | 149 BPM | ||
Pictures at an Exhibition: Gnomus | Modest Mussorgsky, Berliner Philharmoniker, Herbert von Karajan | B Major | 2 | 1B | 85 BPM | ||
Strauss II, J: Die Tauben von San Marco, Op. 414 | Johann Strauss II, Nikolaus Harnoncourt, Berliner Philharmoniker | D Major | 1 | 10B | 177 BPM |