"Ma mère l'oye, ballet, M. 62: 4. Petit Poucet.Très modéré" by Maurice Ravel, Berliner Philharmoniker, Pierre Boulez was released on January 1, 1994. The duration of Ma mère l'oye, ballet, M. 62: 4. Petit Poucet.Très modéré is about 3 minutes long, at 3:19. Based on our data, "Ma mère l'oye, ballet, M. 62: 4. Petit Poucet.Très modéré" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 15 in the song's album "Ravel: Ma Mère L'Oye; Boléro etc.". In this album, this song's track order is #5. Based on our statistics, Ma mère l'oye, ballet, M. 62: 4. Petit Poucet.Très modéré's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ma mère l'oye, ballet, M. 62: 4. Petit Poucet.Très modéré by Maurice Ravel, Berliner Philharmoniker, Pierre Boulez having a テンポ of 124 with a half-time of 62 テンポ and a double-time of 248 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 5/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 5 in E Minor, Op. 64: III. Valse. Allegro moderato | Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Kirill Petrenko | A Major | 0 | 11B | 139 BPM | ||
Symphony No.1 In C Minor, Op.68: 2. Andante sostenuto | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | E Major | 1 | 12B | 85 BPM | ||
Piano Concerto For The Left Hand In D, M. 82: 2. Allegro | Maurice Ravel, Jean-Yves Thibaudet, Orchestre Symphonique de Montréal, Charles Dutoit | C Major | 1 | 8B | 95 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 5. R.P.A. (Moderato) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | C Minor | 0 | 5A | 83 BPM | ||
Rosen aus dem Süden, Op. 388 | Johann Strauss II, Berliner Philharmoniker, Herbert von Karajan | F Major | 1 | 7B | 181 BPM | ||
Le tombeau de Couperin (version for orchestra): No. 4. Rigaudon | Maurice Ravel, Orchestre National De Lyon, Leonard Slatkin | B♭ Major | 3 | 6B | 93 BPM | ||
Symphony No.9 In D / 4. Satz: Tempo I. Molto adagio | Gustav Mahler, Berliner Philharmoniker, Herbert von Karajan | A Major | 1 | 11B | 88 BPM | ||
Symphony No. 8 in C Minor, Op. 65: V. Allegretto | Dmitri Shostakovich, Berliner Philharmoniker, Kirill Petrenko | C Major | 1 | 8B | 93 BPM | ||
Symphony No. 8 in C Minor, WAB 108: III. Adagio: Feierlich langsam; doch nicht schleppend | Anton Bruckner, Wiener Philharmoniker, Pierre Boulez | D♭ Major | 1 | 3B | 69 BPM | ||
Symphony No. 3 in A Minor, Op. 56, MWV N 18 - "Scottish": II. Vivace non troppo | Felix Mendelssohn, Berliner Philharmoniker, Herbert von Karajan | F Major | 2 | 7B | 123 BPM |