"2 Mazurkas, Op. 19: No. 1. Obertass" by Henryk Wieniawski, James Ehnes, Eduard Laurel was released on January 1, 2000. The duration of 2 Mazurkas, Op. 19: No. 1. Obertass is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. 2 Mazurkas, Op. 19: No. 1. Obertass's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Wieniawski / Sarasate: Violin Showpieces by James Ehnes. The song's track number on the album is #3 out of 12 tracks. 2 Mazurkas, Op. 19: No. 1. Obertass is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since 2 Mazurkas, Op. 19: No. 1. Obertass by Henryk Wieniawski, James Ehnes, Eduard Laurel has a tempo of 83 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With 2 Mazurkas, Op. 19: No. 1. Obertass being at 83 テンポ, the half-time would be 42 テンポ with a double-time of 166 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Spanish Dance No. 1 (from La vida breve) | Manuel de Falla, Itzhak Perlman, David Garvey | A Major | 3 | 11B | 112 BPM | ||
Paganini: 24 Caprices, Op. 1: No. 2 in B Minor | Niccolò Paganini, Itzhak Perlman | B Minor | 3 | 10A | 95 BPM | ||
Introduction and Tarantella Op. 43 | Pablo de Sarasate, Sarah Chang, Charles Abramovic | G Major | 2 | 9B | 107 BPM | ||
The Magic Flute, K. 620: Overture | Wolfgang Amadeus Mozart, Wilfried Gahmlich, Anna Gonda, Hungarian Festival Chorus, Budapest Failoni Chamber Orchestra, Michael Halasz, Hellen Kwon, Lotte Leitner, Herbert Lippert, Elizabeth Norberg-Schulz, Kurt Rydl, Georg Tichy, Julia Faulkner, Waltraud Winsauer | E♭ Major | 1 | 5B | 90 BPM | ||
Beethoven: String Quartet No. 12 in E-Flat Major, Op. 127: I. Maestoso - Allegro | Ludwig van Beethoven, Artemis Quartet | E♭ Major | 1 | 5B | 156 BPM | ||
Leclair: Sonata for 2 Violins in E Minor, Op. 3, No. 5: II. Gavotte (Andante grazioso) | Jean-Marie Leclair, Itzhak Perlman | E Minor | 1 | 9A | 114 BPM | ||
3 Violin Duets (1996 Digital Remaster): II. Gavotte | Itzhak Perlman, Pinchas Zukerman | A Major | 0 | 11B | 110 BPM | ||
Bazzini: Scherzo fantastique, Op. 25, "La ronde des lutins" | Antonio Bazzini, Itzhak Perlman, Samuel Sanders | E Minor | 4 | 9A | 101 BPM | ||
Souvenir d'un lieu cher, Op. 42: 1. Meditation | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | B♭ Major | 1 | 6B | 114 BPM | ||
Le roi des aulnes, Op. 26 (after Schubert's Erlkonig) | Heinrich Wilhelm Ernst, Josef Spacek | C Major | 3 | 8B | 129 BPM |