Itzhak Perlman, Pinchas Zukerman's '3 Violin Duets (1996 Digital Remaster): II. Gavotte' came out on 1996. The duration of 3 Violin Duets (1996 Digital Remaster): II. Gavotte is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. 3 Violin Duets (1996 Digital Remaster): II. Gavotte's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Works for Two Violins by Itzhak Perlman. The song's track number on the album is #47 out of 52 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. In terms of popularity, 3 Violin Duets (1996 Digital Remaster): II. Gavotte is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since 3 Violin Duets (1996 Digital Remaster): II. Gavotte by Itzhak Perlman, Pinchas Zukerman has a tempo of 110 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With 3 Violin Duets (1996 Digital Remaster): II. Gavotte being at 110 テンポ, the half-time would be 55 テンポ with a double-time of 220 テンポ.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Violin Concerto No. 1 in F Sharp Minor, Op.14 (1985 - Remaster): III. Rondo (Allegro giocoso) | Henryk Wieniawski, Itzhak Perlman, Seiji Ozawa, Boston Symphony Orchestra | F♯ Minor | 1 | 11A | 105 BPM | ||
Tchaikovsky: Violin Concerto in D Major, Op. 35: II. Canzonetta (Andante) | Pyotr Ilyich Tchaikovsky, Itzhak Perlman, Eugene Ormandy, Philadelphia Orchestra | E♭ Major | 0 | 5B | 122 BPM | ||
Touch Her Soft Lips and Part (From "Henry V") | William Walton, Itzhak Perlman, John Williams, Boston Pops Orchestra | B Minor | 1 | 10A | 93 BPM | ||
4 Pieces, Op. 51: 3. Poème ailé | Alexander Scriabin, Evgeny Kissin | B Major | 0 | 1B | 97 BPM | ||
Elite Syncopations (arr. I. Perlman for violin and piano) | Itzhak Perlman, Scott Joplin, Matthew Trusler, Wayne Marshall | G Major | 3 | 9B | 100 BPM | ||
Chaminade / Arr Kreisler: Sérénade espagnole | Cécile Chaminade, Itzhak Perlman | D Major | 2 | 10B | 101 BPM | ||
Triakontameron: No. 11, Alt-Wien (Arr. J. Heifetz for Violin & Piano) | Leopold Godowsky, Nazrin Rashidova, Roderick Chadwick | E Minor | 1 | 9A | 86 BPM | ||
Sonata In G Minor For Cello & Piano, Op. 19: 3. Andante | Sergei Rachmaninoff, Alisa Weilerstein, Inon Barnatan | F Major | 2 | 7B | 82 BPM | ||
6 Violin Sonatas, Op. 10b No. 1 in F Major, J. 99: II. Romanza: Larghetto | Carl Maria von Weber, Frederieke Saeijs, Nino Gvetadze | B♭ Major | 0 | 6B | 83 BPM | ||
L'Arlésienne Suite No. 1, WD 40: 3. Adagietto | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | F Major | 0 | 7B | 86 BPM |