Jean-Marie Leclair, Itzhak Perlman made "Leclair: Sonata for 2 Violins in E Minor, Op. 3, No. 5: II. Gavotte (Andante grazioso)" available on September 25, 2015. The duration of Leclair: Sonata for 2 Violins in E Minor, Op. 3, No. 5: II. Gavotte (Andante grazioso) is about 3 minutes long, at 3:01. Based on our data, "Leclair: Sonata for 2 Violins in E Minor, Op. 3, No. 5: II. Gavotte (Andante grazioso)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 10 in the song's album "Perlman & Zukerman - Duets for Two Violins". In this album, this song's track order is #2. In terms of popularity, Leclair: Sonata for 2 Violins in E Minor, Op. 3, No. 5: II. Gavotte (Andante grazioso) is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Leclair: Sonata for 2 Violins in E Minor, Op. 3, No. 5: II. Gavotte (Andante grazioso) by Jean-Marie Leclair, Itzhak Perlman having a テンポ of 114 with a half-time of 57 テンポ and a double-time of 228 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Glazunov: Elegia, Op. 44 | Alexander Glazunov, Gérard Caussé | E♭ Major | 1 | 5B | 89 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM | ||
Marchenbilder (Fairy Tales), Op. 113: I. Nicht schnell | Robert Schumann, Antoine Tamestit, Eric Le Sage | E♭ Major | 1 | 5B | 111 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
Viola Concerto in C Minor: II. Adagio molto espressivo | Johann Christian Bach, Henri Casadesus, Nemanja Radulović, Double Sens | A♭ Major | 2 | 4B | 133 BPM | ||
Accolay: Violin Concerto No. 1 in A Minor | Jean Baptist Accolay, Itzhak Perlman, Lawrence Foster, The Juilliard Orchestra | A Minor | 2 | 8A | 132 BPM | ||
Pièces de Clavecin, Livre II, 6e ordre: V. Les Baricades Mistérieuses | François Couperin, Alexandre Tharaud | B♭ Major | 1 | 6B | 111 BPM | ||
Tzigane, M. 76 | Maurice Ravel, Maxim Vengerov, Irina Vinogradova | D Major | 1 | 10B | 128 BPM | ||
Romanze für Viola und Orchester in F-Dur, Op. 85 | Max Bruch, Philharmonie Baden-Baden, Hartmut Rohde, Pavel Baleff | F Major | 1 | 7B | 75 BPM | ||
Concertino for Clarinet and Orchestra in E-Flat, Op. 26: Allegro | Carl Maria von Weber, Charles Neidich, Orpheus Chamber Orchestra | E♭ Major | 1 | 5B | 157 BPM |