On February 1, 2000, the song "Paganini: 24 Caprices, Op. 1: No. 2 in B Minor" was released by Niccolò Paganini, Itzhak Perlman. The duration of Paganini: 24 Caprices, Op. 1: No. 2 in B Minor is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Paganini: 24 Caprices, Op. 1: No. 2 in B Minor's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 24 in the song's album "Paganini: 24 Caprices". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Paganini: 24 Caprices, Op. 1: No. 2 in B Minor is currently average in popularity. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Paganini: 24 Caprices, Op. 1: No. 2 in B Minor by Niccolò Paganini, Itzhak Perlman having a テンポ of 95 with a half-time of 48 テンポ and a double-time of 190 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ständchen in D Minor (After Schubert), S. 560 | Franz Liszt, Lise de la Salle | D Major | 0 | 10B | 76 BPM | ||
Swan Lake, Op. 20, TH. 12: Dance of the Four Swans (Arr. Wild for Piano) | Pyotr Ilyich Tchaikovsky, Yuja Wang | B Minor | 1 | 10A | 113 BPM | ||
Spohr: Duo Concertante in D Major, Op. 67, No. 2: I. Allegro | Louis Spohr, Itzhak Perlman | D Major | 2 | 10B | 130 BPM | ||
Vivaldi: Winter From The Four Seasons 1. Allegro Non Molto | Silverwood Quartet | F Minor | 2 | 4A | 142 BPM | ||
Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra | A♭ Major | 1 | 4B | 88 BPM | ||
Seitz: Student Concerto No. 2 in G Major, Op. 13: III. Allegretto moderato | Friedrich Seitz, Itzhak Perlman, Lawrence Foster, The Juilliard Orchestra | G Major | 1 | 9B | 135 BPM | ||
6 Album Leaves, Op. 2, JB 1:51: No. 2 in A Minor, Chanson. Moderato | Bedřich Smetana, Jitka Čechová | A Minor | 0 | 8A | 66 BPM | ||
6 Violin Sonatas, Op. 10b No. 2 in G Major, J. 100: II. Adagio | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | C Minor | 0 | 5A | 81 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | E Major | 1 | 12B | 136 BPM |