Friedrich Seitz, Itzhak Perlman, Lawrence Foster, The Juilliard Orchestra made "Seitz: Student Concerto No. 2 in G Major, Op. 13: III. Allegretto moderato" available on March 1, 1999. The duration of Seitz: Student Concerto No. 2 in G Major, Op. 13: III. Allegretto moderato is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Seitz: Student Concerto No. 2 in G Major, Op. 13: III. Allegretto moderato's duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 11 in Concertos From My Childhood by Itzhak Perlman. Based on our statistics, Seitz: Student Concerto No. 2 in G Major, Op. 13: III. Allegretto moderato's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Seitz: Student Concerto No. 2 in G Major, Op. 13: III. Allegretto moderato by Friedrich Seitz, Itzhak Perlman, Lawrence Foster, The Juilliard Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 135 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Brahms: Double Concerto for Violin and Cello in A Minor, Op. 102: I. Allegro | Johannes Brahms, Itzhak Perlman, Bernard Haitink, Concertgebouworkest | A Minor | 2 | 8A | 116 BPM | ||
6 Grandes études de Paganini, S. 141: No. 3 in A-Flat Minor "La campanella" | Franz Liszt, Goran Filipec | A♭ Minor | 2 | 1A | 115 BPM | ||
6 Polyphonic Studies: No. 6, Concert Variations on the Irish Air "The Last Rose of Summer" | Heinrich Wilhelm Ernst, Maxim Vengerov | G Major | 1 | 9B | 100 BPM | ||
Bruch: Scottish Fantasy, Op. 46: I. (b) Adagio cantabile | Max Bruch, Itzhak Perlman, Jesús López-Cobos, New Philharmonia Orchestra | E♭ Minor | 0 | 2A | 59 BPM | ||
Symphony No. 7 in A major, Op. 92: III. Presto | Nicolaus Esterhazy Sinfonia | D Major | 1 | 10B | 93 BPM | ||
Grandes Etudes de Paganini, S.141: No.6 In A Minor | Franz Liszt, Daniil Trifonov | A Minor | 2 | 8A | 119 BPM | ||
Grieg: Violin Sonata No. 3 in C Minor, Op. 45: II. Allegretto espressivo alla Romanza | Edvard Grieg, Renaud Capuçon, Khatia Buniatishvili | E Major | 1 | 12B | 79 BPM | ||
Bach, J.S.: Violin Partita No. 1 in B Minor, BWV 1002: IV. Double | Johann Sebastian Bach, Itzhak Perlman | B Minor | 3 | 10A | 144 BPM | ||
Violin Concerto No. 1 in A Minor, Op. 77: II. Scherzo. Allegro non troppo | Dmitri Shostakovich, Hilary Hahn, Marek Janowski, Oslo-Filharmonien | B♭ Minor | 3 | 3A | 129 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): V. Les dragons d'Alcala | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Minor | 0 | 4A | 60 BPM |