6 Grandes études de Paganini, S. 141: No. 3 in A-Flat Minor "La campanella"
- テンポ
- 115
- キー
- A♭ Minor
- キャメロットミュージックキー
- 1A
6 Grandes études de Paganini, S. 141: No. 3 in A-Flat Minor "La campanella" - Franz Liszt, Goran Filipec 情報
- 音響性
- 95%
- ダンサビリティ
- 37%
- エネルギー
- 20%
- 手段性
- 43%
- 活気
- 9%
- ラウドネス
- 58%
- 話し言葉
- 3%
- 価数
- 38%
- 人気
- 27%
- ラウドネス
- -25.401 dB
まとめ
Franz Liszt, Goran Filipec's '6 Grandes études de Paganini, S. 141: No. 3 in A-Flat Minor "La campanella"' came out on March 4, 2016. With this song being about 5 minutes long, at 4:30, "6 Grandes études de Paganini, S. 141: No. 3 in A-Flat Minor "La campanella"" by Franz Liszt, Goran Filipec is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Franz Liszt, Goran Filipec's "Liszt Complete Piano Music, Vol. 42: Paganini Studies" album is number 3 out of 16. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, 6 Grandes études de Paganini, S. 141: No. 3 in A-Flat Minor "La campanella" is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
6 Grandes études de Paganini, S. 141: No. 3 in A-Flat Minor "La campanella" テンポ
We consider the tempo marking of 6 Grandes études de Paganini, S. 141: No. 3 in A-Flat Minor "La campanella" by Franz Liszt, Goran Filipec to be Moderato (at a moderate speed) because the track has a tempo of 115 テンポ, a half-time of 58テンポ, and a double-time of 230 テンポ. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 1/4.
6 Grandes études de Paganini, S. 141: No. 3 in A-Flat Minor "La campanella" キー
A♭ Minor is the music key of this track. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
おすすめの曲
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Violin Concerto No. 3 in B Minor, Op. 61: I. Allegro non troppo | Camille Saint-Saëns, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | A Minor | 2 | 8A | 113 BPM | |
 | 4 Impromptus, Op.90, D.899: No.3 in G Flat Major: Andante | Franz Schubert, Radu Lupu | F♯ Major | 0 | 2B | 173 BPM | |
 | Libestraume - No.3 | Pianozone, Franz Liszt | A♭ Major | 2 | 4B | 135 BPM | |
 | Fantasia in D Minor, K. 397 | Wolfgang Amadeus Mozart, Alfred Brendel | D Major | 0 | 10B | 126 BPM | |
 | Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | F Major | 2 | 7B | 131 BPM | |
 | 3 Preludes and Fugues, Op. 16: No. 2. Prelude and Fugue in B-Flat Major | Clara Schumann, Jozef De Beenhouwer | B♭ Major | 0 | 6B | 100 BPM | |
 | Piano Concerto in A Minor, Op. 7: Romanze: Andante non troppo con grazia | Clara Schumann, Francesco Nicolosi, Alma Mahler Sinfonietta, Stefania Rinaldi | G Minor | 7 | 6A | 100 BPM | |
 | Jazz Suite No. 2: 4. Waltz I | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | B♭ Major | 2 | 6B | 178 BPM | |
 | 4 Sketches, Op. 5, JB 1:67: No. 2, Melancholy. Allegretto | Bedřich Smetana, Jitka Čechová | A♭ Minor | 0 | 1A | 173 BPM | |
 | String Quartet No. 2 in D Major: I. Allegro moderato | Alexander Borodin, Budapest Haydn Quartet | D Major | 1 | 10B | 75 BPM |
- ISRC
- HKI191520403
- レコードレーベル
- L-M Records/RCA Records