"Bruch: Scottish Fantasy, Op. 46: I. (b) Adagio cantabile" by Max Bruch, Itzhak Perlman, Jesús López-Cobos, New Philharmonia Orchestra was released on October 21, 2003. With this song being about 5 minutes long, at 5:07, "Bruch: Scottish Fantasy, Op. 46: I. (b) Adagio cantabile" by Max Bruch, Itzhak Perlman, Jesús López-Cobos, New Philharmonia Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 5 out of 8 in Bruch: Violin Concertos / Scottish Fantasy by Max Bruch, Itzhak Perlman, Jesús López-Cobos, New Philharmonia Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Bruch: Scottish Fantasy, Op. 46: I. (b) Adagio cantabile is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bruch: Scottish Fantasy, Op. 46: I. (b) Adagio cantabile by Max Bruch, Itzhak Perlman, Jesús López-Cobos, New Philharmonia Orchestra is Lento (slowly), since this song has a tempo of 59 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Korngold: Violin Concerto in D Major, Op. 35: III. Allegro assai vivace | Erich Wolfgang Korngold, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | A Major | 1 | 11B | 122 BPM | ||
Cinderella, Op.87: 13. Summer Fairy | Sergei Prokofiev, Cleveland Orchestra, Vladimir Ashkenazy | F Major | 1 | 7B | 74 BPM | ||
Romance for Viola & Orchestra in F Major, Op. 85 | Max Bruch, Yuri Bashmet, Neeme Järvi | F Major | 0 | 7B | 105 BPM | ||
Divertimento No. 6 in G Major, Op. 38: Divertimento No. 6 in G Major, Op. 38 | Carl Maria von Weber, Ensemble 3 Mouvements | G Major | 0 | 9B | 119 BPM | ||
Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM | ||
Beethoven: Violin Concerto in D Major, Op. 61: II. Larghetto - | Ludwig van Beethoven, Itzhak Perlman, Carlo Maria Giulini, Philharmonia Orchestra | G Major | 0 | 9B | 86 BPM | ||
Cello Concerto No.1, Op.107: 1. Allegretto | Dmitri Shostakovich, Heinrich Schiff, Bavarian Radio Symphony Orchestra, Maxim Shostakovich | G Minor | 2 | 6A | 126 BPM | ||
Violin Concerto No. 1 in F Sharp Minor, Op.14 (1985 - Remaster): III. Rondo (Allegro giocoso) | Henryk Wieniawski, Itzhak Perlman, Seiji Ozawa, Boston Symphony Orchestra | F♯ Minor | 1 | 11A | 105 BPM | ||
The Gadfly Suite, Op. 97a: No. 8 Romance | Dmitri Shostakovich, Charlie Siem, Munich Radio Orchestra, Paul Goodwin | D♭ Major | 1 | 3B | 133 BPM | ||
Concerto for 2 Violins in D Minor, BWV 1043: III. Allegro | Johann Sebastian Bach, Zubin Mehta, New York Philharmonic, Isaac Stern, Itzhak Perlman | D Minor | 4 | 7A | 96 BPM |