George Frideric Handel, Bernard Krainis, The London Strings, Sir Neville Marriner made "Concerto in G Major for Soprano Recorder (After Op. 3/3, HWV 314): III. Adagio" available on March 22, 2024. With Concerto in G Major for Soprano Recorder (After Op. 3/3, HWV 314): III. Adagio being less than two minutes long, at 1:03, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in George Frideric Handel, Academy of St. Martin in the Fields, Sir Neville Marriner's "Handel: Oboe Concertos Nos. 1–3; Recorder Concertos" album is number 22 out of 23. On top of that, Netherlands appears to be the country where this track was created. Concerto in G Major for Soprano Recorder (After Op. 3/3, HWV 314): III. Adagio is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Concerto in G Major for Soprano Recorder (After Op. 3/3, HWV 314): III. Adagio by George Frideric Handel, Bernard Krainis, The London Strings, Sir Neville Marriner to be Andante (at a walking pace) because the track has a tempo of 89 テンポ, a half-time of 44テンポ, and a double-time of 178 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia No. 4 in si minore (Morte e sepoltura di Christo): IV. Allegro assai | Antonio Caldara, Claudio Ferrarini, Accademia Farnese | A Minor | 1 | 8A | 96 BPM | ||
Violin Concerto in A Major, Op. 3, No. 8: III. Presto | Carlo Tessarini, Fabrizio Ammetto, Orfeo Ensemble, L' | A Major | 1 | 11B | 77 BPM | ||
I - Grave from: Concerto No. 1 in f minor | Accademia Bizantina | E Minor | 1 | 9A | 108 BPM | ||
Concerto for 2 Oboes and String Orchestra in C Major, Op. 7 No. 5: II. Adagio | Tomaso Albinoni, I Solisti Di Perugia, Claudio Brizi, Thomas Indermühle, Jacques Tys, Rino Vernizzi, Frederico del Sordo | A Minor | 1 | 8A | 106 BPM | ||
Trio Sonata for 2 Violins and Continuo in G Minor, HWV 393 "Dresden" No. 2: III. Largo (Arr. for Oboe, Violin, Harpsichord and Orchestra by Andreas Tarkmann) | George Frideric Handel, Albrecht Mayer, Sinfonia Varsovia, Jakub Haufa, Monika Razynska | B♭ Major | 2 | 6B | 143 BPM | ||
Hamburg Symphony No. 3 in C Major, Wq. 182: I. Allegro assai | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | F♯ Major | 2 | 2B | 136 BPM | ||
Concerto a 5 in E Minor, Op. 5, No. 9: II. Adagio - Presto - Adagio | Tomaso Albinoni, Bela Banfalvi, Budapest Strings, Karoly Botvay | C Major | 3 | 8B | 109 BPM | ||
Concerto grosso in D, Op. 6, No. 1 - Rev. Vittorio Negri (1923- ): 4. Largo | Arcangelo Corelli, Felix Ayo, Arnaldo Apostoli, Enzo Altobelli, Maria Teresa Garatti, Guy Bovet, I Musici | D Minor | 0 | 7A | 137 BPM | ||
Sonata No. 7 in F Major: I. Vivace | Leonardo Vinci, Claudio Ferrarini | F Major | 4 | 7B | 105 BPM | ||
Sinfonia No. 9 in G Minor, RosS 533.9: VI. Allegretto (Tarantella) | Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700 | F♯ Minor | 3 | 11A | 129 BPM |