On March 24, 2023, the song "Sonata No. 7 in F Major: I. Vivace" was released by Leonardo Vinci, Claudio Ferrarini. The duration of Sonata No. 7 in F Major: I. Vivace is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. Sonata No. 7 in F Major: I. Vivace's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Leonardo Vinci, Claudio Ferrarini's "Leonardo Vinci: 6 SONATES POUR FLÛTE ET BASSE CONTINUE. Sonates No. 7 - 12, Deuxième livre" album is number 1 out of 18. On top of that, Italy appears to be the country where this track was created. In terms of popularity, Sonata No. 7 in F Major: I. Vivace is currently below average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Sonata No. 7 in F Major: I. Vivace by Leonardo Vinci, Claudio Ferrarini to be Andante (at a walking pace) because the track has a tempo of 105 テンポ, a half-time of 52テンポ, and a double-time of 210 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Sonata in G Minor, Op. 5 No. 5: III. Adagio (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Kuhnau: Magnificat in C Major: I. Chorus. "Magnificat" | Johann Kuhnau, Hermann Max, Das Kleine Konzert, Rheinische Kantorei | D♭ Major | 2 | 3B | 109 BPM | ||
Steffani: Niobe, regina di Tebe, Act 1: "Dell'alma stanca" (Anfione) | Agostino Steffani, Philippe Jaroussky, Stephen Stubbs, Boston Early Music Festival Orchestra | E♭ Major | 0 | 5B | 94 BPM | ||
Violin Sonata in C Major, Op. 5 No. 3: IV. Allegro (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Stabat Mater in F Minor, G. 532: IV. Quis est homo. Adagio assai - Recitativo | Luigi Boccherini, Núria Rial, Orchester Le Phenix | G Major | 3 | 9B | 150 BPM | ||
La serva padrona, symphonia avanti l'opera: Andante ma poco | Giovanni Battista Pergolesi, Ensemble Baroque de Nice, Gilbert Bezzina, Isabelle Poulenard, Philippe Cantor | E Major | 0 | 12B | 101 BPM | ||
Symphony in C Major, H. 659, Wq. 182/3: I. Allegro assai | Carl Philipp Emanuel Bach, Akademie für Alte Musik Berlin, Georg Kallweit | D♭ Major | 1 | 3B | 140 BPM | ||
Telemann: Tafelmusik, Pt. 3: Ouverture-Suite in B-Flat Major, TWV 55:B1: V. Flaterie | Georg Philipp Telemann, Amsterdam Baroque Orchestra, Ton Koopman, Ku Ebbinge, Michel Henry, Monica Huggett, Alison Bury | F♯ Major | 1 | 2B | 73 BPM | ||
The Grand Festino: The Grand Festino, Overture: I. Allegro | Niccolò Pasquali, Peter Whelan, Irish Baroque Orchestra | D♭ Minor | 1 | 12A | 148 BPM | ||
Concerto di Flauti, S.D945: III. Presto | Alessandro Marcello, Dorothee Oberlinger | G Major | 1 | 9B | 143 BPM |