Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz made "Hamburg Symphony No. 3 in C Major, Wq. 182: I. Allegro assai" available on April 5, 2024. The duration of Hamburg Symphony No. 3 in C Major, Wq. 182: I. Allegro assai is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Hamburg Symphony No. 3 in C Major, Wq. 182: I. Allegro assai's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz's "Instrumental Theatre of Affects" album is number 5 out of 22. On top of that, Sweden appears to be the country where this track was created. Based on our statistics, Hamburg Symphony No. 3 in C Major, Wq. 182: I. Allegro assai's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Hamburg Symphony No. 3 in C Major, Wq. 182: I. Allegro assai by Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz to be Allegro (fast, quick, and bright) because the track has a tempo of 136 テンポ, a half-time of 68テンポ, and a double-time of 272 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Concerto grosso in G Minor, Op. 8 No. 6 "Pastorale per il santissimo Natale": III. Vivace | Giuseppe Torelli, I Musici, Felix Ayo, Roberto Michelucci, Walter Gallozzi, Anna Maria Cotogni, Carmen Franco, Alfonso Ghedin, Enzo Altobelli, Mario Centurione, Maria Teresa Garatti | C Minor | 2 | 5A | 61 BPM | ||
Concerto Grosso II in D Minor, Op. 3: I. Ouverture-Largo | Pieter Hellendaal, Combattimento Consort Amsterdam, Jan Willem de Vriend | F Major | 0 | 7B | 36 BPM | ||
Dido and Aeneas, Z.626, Act II Scene 1, The Cave: Echo Dance of the Furies | Henry Purcell, Les Argonautes, Jonas Descotte | F♯ Major | 1 | 2B | 84 BPM | ||
Chamber Airs for a Violin and Thorough Bass Op. 2, No. 4 in A Minor: II. Allegro | Richard Jones, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Sinfonia a quattro No. 1 in B-Flat Major, SF C781: II. Presto | Benedetto Marcello, La Floridiana, Nicoleta Paraschivescu | F♯ Major | 3 | 2B | 76 BPM | ||
Concerto in C Minor, Op. 6 No. 3: III. Grave | Arcangelo Corelli, Musica Amphion, Pieter-Jan Belder | B♭ Minor | 2 | 3A | 70 BPM | ||
Die Auferstehung und Himmelfahrt Jesu, H. 777, Wq. 240, Pt. 1: No. 5. Chor, "Triumph! Triumph! Des Herrn Gesalbter sieget!" (Chorus) | Carl Philipp Emanuel Bach, Karl Wilhelm Ramler, Il Gardellino, Bart Van Reyn, Vlaams Radiokoor | D Major | 2 | 10B | 167 BPM | ||
Mystery (Rosary) Sonata: No. 3 in B Minor “The Nativity”: I. Sonata | Heinrich Ignaz Franz von Biber, Alan Choo, Jeannette Sorrell | B Major | 1 | 1B | 95 BPM | ||
Concerto grosso in B-Flat Major, 1 No.3: IV. | Pietro Locatelli, Orchestre De Chambre De Toulouse, Gilles Colliard | E Major | 4 | 12B | 146 BPM | ||
Alla Caccia "Diana cacciatrice", HWV 79: Alla Caccia "Diana cacciatrice", HWV 79: I. La Marche | George Frideric Handel, Peter Whelan, Irish Baroque Orchestra | D♭ Minor | 1 | 12A | 148 BPM |