Carl Philipp Emanuel Bach, Karl Wilhelm Ramler, Il Gardellino, Bart Van Reyn, Vlaams Radiokoor made "Die Auferstehung und Himmelfahrt Jesu, H. 777, Wq. 240, Pt. 1: No. 5. Chor, "Triumph! Triumph! Des Herrn Gesalbter sieget!" (Chorus)" available on February 25, 2022. With Die Auferstehung und Himmelfahrt Jesu, H. 777, Wq. 240, Pt. 1: No. 5. Chor, "Triumph! Triumph! Des Herrn Gesalbter sieget!" (Chorus) being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 5 out of 22 in C.P.E. Bach: Die Auferstehung und Himmelfahrt Jesu, H. 777 by Karl Wilhelm Ramler, Carl Philipp Emanuel Bach, Bart Van Reyn, Il Gardellino, Vlaams Radiokoor. Going off of the ISRC code of this track, we detected that the origin of this track is from Belgium. The popularity of Die Auferstehung und Himmelfahrt Jesu, H. 777, Wq. 240, Pt. 1: No. 5. Chor, "Triumph! Triumph! Des Herrn Gesalbter sieget!" (Chorus) is currently below average in popularity right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Die Auferstehung und Himmelfahrt Jesu, H. 777, Wq. 240, Pt. 1: No. 5. Chor, "Triumph! Triumph! Des Herrn Gesalbter sieget!" (Chorus) by Carl Philipp Emanuel Bach, Karl Wilhelm Ramler, Il Gardellino, Bart Van Reyn, Vlaams Radiokoor is Vivace (lively and fast), since this song has a tempo of 167 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 5/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia in D Major, "La Veneziana": III. Presto | Antonio Salieri, Chopin Chamber Orchestra, Winston Dan Vogel | D Major | 1 | 10B | 109 BPM | ||
5 Preludes, Op. 16: IV. Prelude No. 4 in E-Flat Minor: Lento | Alexander Scriabin, Evgeny Zarafiants | A Minor | 0 | 8A | 129 BPM | ||
Sonata for Solo Flute in A Minor, Wq. 132 / H. 562 | Carl Philipp Emanuel Bach, Jan De Winne, Roel Dieltiens, Shalev Ad El | B♭ Major | 0 | 6B | 72 BPM | ||
Lyric Pieces, Book 5, Op. 54: Nocturne | Edvard Grieg, Alessio Bax | C Major | 0 | 8B | 72 BPM | ||
Waltz No. 10 in B Minor, Op. 69, No. 2 | Frédéric Chopin, Idil Biret | B Minor | 0 | 10A | 155 BPM | ||
5 Lieder, Op. 49: No. 4. Wiegenlied (arr. P. Nagy): Cradle Song (trans. P. Nagy) | Péter Nagy, Johannes Brahms | E♭ Major | 0 | 5B | 134 BPM | ||
Winterreise, Op. 89, D. 911: No. 21, Tauschung (Arr. T. Zimmermann and H. Holl) | Franz Schubert, Peter Härtling, Tabea Zimmermann, Hartmut Höll | A Major | 0 | 11B | 119 BPM | ||
Morgen, Op. 27 No. 4 (Arr. Reger for Piano) | Richard Strauss, Angela Hewitt | A Major | 2 | 11B | 143 BPM | ||
Kinderszenen, Op.15: 12. Kind im Einschlummern | Robert Schumann, Martha Argerich | E Minor | 0 | 9A | 123 BPM | ||
Valse Mélancolique | Vladimir Rebikov, Christopher Ferreira | B Minor | 1 | 10A | 113 BPM |