"Concerto grosso in D, Op. 6, No. 1 - Rev. Vittorio Negri (1923- ): 4. Largo" by Arcangelo Corelli, Felix Ayo, Arnaldo Apostoli, Enzo Altobelli, Maria Teresa Garatti, Guy Bovet, I Musici was released on January 1, 1990. With Concerto grosso in D, Op. 6, No. 1 - Rev. Vittorio Negri (1923- ): 4. Largo being less than two minutes long, at 1:49, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 4 out of 62 in Corelli: Concerti Grossi, Op. 6 by Arcangelo Corelli, I Musici. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Based on our statistics, Concerto grosso in D, Op. 6, No. 1 - Rev. Vittorio Negri (1923- ): 4. Largo's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto grosso in D, Op. 6, No. 1 - Rev. Vittorio Negri (1923- ): 4. Largo by Arcangelo Corelli, Felix Ayo, Arnaldo Apostoli, Enzo Altobelli, Maria Teresa Garatti, Guy Bovet, I Musici is Allegro (fast, quick, and bright), since this song has a tempo of 137 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Armonico I: I. Grave | Unico Wilhelm van Wassenaer, Mike Fentross, La Sfera Armoniosa | D♭ Major | 1 | 3B | 95 BPM | ||
Céphale et Procris, Prologue: Reprise de l'ouverture comme entr'acte | Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis | F Minor | 1 | 4A | 75 BPM | ||
Sonata in E Minor, Op. 5, No. 8 (arr. W. Babell): I. Preludio: Largo | William Babell, Arcangelo Corelli, Stefan Temmingh, Olga Watts | E♭ Minor | 2 | 2A | 110 BPM | ||
Sonata a tre No. 6 in G Minor, Op. 2: IV. Allegro | Nicola Francesco Haym, Arcangelo Corelli, Cappella Musicale Enrico Stuart, Romeo Ciuffa, Chiara Strabioli, Rebeca Ferri, Marco Vitale | F Major | 1 | 7B | 128 BPM | ||
Oboe d'amore Concerto in D Major: I. Grave | Christoph Graupner, Lajos Lencsés, Budapest Strings, Karoly Botvay | D Major | 1 | 10B | 80 BPM | ||
Concerto C fur Blockflote, Streicher und Generalbass: Allegro | Cologne Chamber Orchestra | C Major | 2 | 8B | 108 BPM | ||
Symphony No. 5 in D Major, Op. 2, "St. Cecilia's Day Ode": III. Tempo di Minuetto | William Boyce, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 93 BPM | ||
Symphony No. 4 in F Major, Op. 2, "Shepherd's Lottery": II. Vivace ma non troppo | William Boyce, Aradia Ensemble, Kevin Mallon | E Major | 0 | 12B | 118 BPM | ||
Sinfonia di concerto grosso No. 5 in G Minor: Vivace - Adagio - Allegro - Adagio - Allegro | Alessandro Scarlatti | D Minor | 2 | 7A | 91 BPM | ||
Musical Offering, BWV 1079: Fuga canonica in Epidiapente | Johann Sebastian Bach, Nils-Thilo Krämer, Ariane Pfister, Christian Benda, Sebastian Benda, Capella Istropolitana | C Minor | 2 | 5A | 172 BPM |