Christoph Graupner, Lajos Lencsés, Budapest Strings, Karoly Botvay's 'Oboe d'amore Concerto in D Major: I. Grave' came out on January 1, 1993. With this song being around four minutes long, at 3:48, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 11 in the song's album "Oboe Concertos - Stulick, M.N. / Graupner, C./ Forster, C. / Dittersdorf, C.D. Von". In this album, this song's track order is #4. Oboe d'amore Concerto in D Major: I. Grave is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Oboe d'amore Concerto in D Major: I. Grave by Christoph Graupner, Lajos Lencsés, Budapest Strings, Karoly Botvay having a テンポ of 80 with a half-time of 40 テンポ and a double-time of 160 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Harpsichord Concerto in A Major: I. Allegro | Carlos Seixas, Janos Sebestyen, Franz Liszt Chamber Orchestra, János Rolla | A♭ Major | 7 | 4B | 74 BPM | ||
Ach Gott und Herr, GWV 1144/11: Recitative: O Gott, was hab ich doch getan | Christoph Graupner, Miriam Feuersinger, Capricornus Consort Basel, Péter Barczi | E♭ Minor | 1 | 2A | 76 BPM | ||
Sonata da Camera Op.2 No.7 in F Major: 1. Preludio - Adagio | İzmir Barok | D♭ Minor | 4 | 12A | 121 BPM | ||
Uns ist ein Kind geboren: I. Sonata | Johann Kuhnau, Camerata Lipsiensis, Gregor Meyer | A♭ Minor | 1 | 1A | 103 BPM | ||
Concerto grosso in B-Flat Major, Op. 1 No.3: II. Allegro | Pietro Locatelli, Orchestre De Chambre De Toulouse, Gilles Colliard | A Major | 3 | 11B | 99 BPM | ||
Herr, gehe nicht ins Gericht mit deinem Knecht, BWV 105: No. 3, Wie zittern und wanken der Sünder Gedanken | Johann Sebastian Bach, Hans-Christoph Rademann, Gächinger Kantorei Stuttgart | F♯ Minor | 1 | 11A | 115 BPM | ||
Recorder Concerto No. 9 in A Minor: IV. Largo e piano | Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700 | A♭ Minor | 0 | 1A | 65 BPM | ||
Cantata No. 182, BWV 182 "Himmelskönig, sei willkommen": Sinfonia | Johann Sebastian Bach, Accademia Bizantina, Ottavio Dantone | F♯ Major | 0 | 2B | 107 BPM | ||
Sonata in F minor, Wq 63/6: I. Finale | Carl Philipp Emanuel Bach, Marcin Świątkiewicz | D♭ Major | 3 | 3B | 100 BPM | ||
Chamber Sonata No. 3 in D Major: V. Allegro | Élisabeth Jacquet de La Guerre, Musica Fiorita | A Minor | 1 | 8A | 89 BPM |