İzmir Barok made "Sonata da Camera Op.2 No.7 in F Major: 1. Preludio - Adagio" available on December 7, 2013. With Sonata da Camera Op.2 No.7 in F Major: 1. Preludio - Adagio being less than two minutes long, at 1:19, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in İzmir Barok's "Music in European and Ottoman Palaces from the 16th Century until the first half of the 18th Century" album is number 11 out of 23. On top of that, Turkey appears to be the country where this track was created. Based on our statistics, Sonata da Camera Op.2 No.7 in F Major: 1. Preludio - Adagio's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Sonata da Camera Op.2 No.7 in F Major: 1. Preludio - Adagio by İzmir Barok to be Allegro (fast, quick, and bright) because the track has a tempo of 121 テンポ, a half-time of 60テンポ, and a double-time of 242 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Recorder Concerto No. 9 in A Minor: IV. Largo e piano | Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700 | A♭ Minor | 0 | 1A | 65 BPM | ||
Concerto grosso in B-Flat Major, Op. 1 No.3: II. Allegro | Pietro Locatelli, Orchestre De Chambre De Toulouse, Gilles Colliard | A Major | 3 | 11B | 99 BPM | ||
Duetto | Cristofaro Caresana, Les Basses Réunies, Bruno Cocset | F Major | 1 | 7B | 121 BPM | ||
Les goûts-réunis, ou Nouveaux Concerts, Concert No. 9 in E Major "Il ritratto dell'amore": No. 4, Le je-ne-scay-quoy | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM | ||
Livre des pieces de clavessin de tous les tons naturels et transposéz: Allemande en A mi la | Jean-Nicolas Geoffroy, Guillaume Haldenwang | D♭ Major | 0 | 3B | 78 BPM | ||
Fantazia V, Z. 736 | Henry Purcell, John Holloway, Monika Baer, Renate Steinmann, Martin Zeller | E Major | 2 | 12B | 139 BPM | ||
Partita No. 4 in D Major, BWV 828: III. Courante | Johann Sebastian Bach, Martin Helmchen | D♭ Major | 3 | 3B | 145 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 2: Ballo d'eroi ed eroine negli Elisi | Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Telemann: Der getreue Music-Meister, No. 36, Basson Sonata in F Minor, TWV 41:f1: IV. Vivace | Georg Philipp Telemann, Ton Koopman, Marc Vallon, Jaap Ter Linden | B Minor | 6 | 10A | 124 BPM | ||
Baryton Trio in A Major, Hob. XI:6: II. Minuet - Trio | Joseph Haydn, Valencia Baryton Project | B Major | 2 | 1B | 94 BPM |