Georg Philipp Telemann, Ton Koopman, Marc Vallon, Jaap Ter Linden made "Telemann: Der getreue Music-Meister, No. 36, Basson Sonata in F Minor, TWV 41:f1: IV. Vivace" available on January 1, 1994. With Telemann: Der getreue Music-Meister, No. 36, Basson Sonata in F Minor, TWV 41:f1: IV. Vivace being less than two minutes long, at 1:40, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 26 in the song's album "Telemann: Chamber Music". In this album, this song's track order is #18. Furthermore, we believe that the track originated from France. Based on our statistics, Telemann: Der getreue Music-Meister, No. 36, Basson Sonata in F Minor, TWV 41:f1: IV. Vivace's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Telemann: Der getreue Music-Meister, No. 36, Basson Sonata in F Minor, TWV 41:f1: IV. Vivace by Georg Philipp Telemann, Ton Koopman, Marc Vallon, Jaap Ter Linden having a テンポ of 124 with a half-time of 62 テンポ and a double-time of 248 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony in C Major, H. 659, Wq. 182/3: I. Allegro assai | Carl Philipp Emanuel Bach, Akademie für Alte Musik Berlin, Georg Kallweit | D♭ Major | 1 | 3B | 140 BPM | ||
Viola d'amore Concerto in A Major, RV 396: III. Allegro | Antonio Vivaldi, Catherine Mackintosh, Orchestra of the Age of Enlightenment | A♭ Major | 1 | 4B | 107 BPM | ||
Hamburg Symphony No. 5 in B Minor, Wq. 182: II. Larghetto | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | D♭ Major | 3 | 3B | 100 BPM | ||
Telemann: Nouveaux quatuors "Paris Quartets", No. 2 in A Minor, TWV 43:a2: IV. Un peu vivement | Georg Philipp Telemann, Frans Brüggen, Jaap Schröder, Anner Bylsma, Gustav Leonhardt | E Minor | 1 | 9A | 78 BPM | ||
A New Irish Tune, Z. 646: "Lilliburlero" | Henry Purcell, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Balletti di Venezia: VII. Adagio | Unknown, Ensemble Caprice, Matthias Maute | D♭ Minor | 0 | 12A | 146 BPM | ||
Concerto for Two Violas in G Major, TWV 52:G3: Concerto for Two Violas in G Major, TWV 52:G3: IV. Vivement | Georg Philipp Telemann, Antoine Tamestit, Sabine Fehlandt, Akademie für Alte Musik Berlin, Bernhard Forck | F♯ Major | 3 | 2B | 77 BPM | ||
Airs for the Seasons, Summer (Excerpts): Pink: III. Temo di Minuetto | James Oswald, Rezonance Baroque Ensemble | F♯ Major | 2 | 2B | 82 BPM | ||
Les goûts-réunis, ou Nouveaux Concerts, Concert No. 9 in E Major "Il ritratto dell'amore": No. 7, La douceur | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM | ||
Mensa sonora / PARS I (In D Major): 5. Gavotte | Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 2 | 3B | 81 BPM |