On January 1, 1988, the song "Mensa sonora / PARS I (In D Major): 5. Gavotte" was released by Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel. With Mensa sonora / PARS I (In D Major): 5. Gavotte being less than two minutes long, at 1:14, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 5 out of 47 in Biber: Mensa Sonora by Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Mensa sonora / PARS I (In D Major): 5. Gavotte is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Mensa sonora / PARS I (In D Major): 5. Gavotte by Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel is Andante (at a walking pace), since this song has a tempo of 81 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata (Concerto No. 9) in A Minor: IV. Largo | Alessandro Scarlatti, Dan Laurin, London Baroque | B Minor | 0 | 10A | 97 BPM | ||
Concerto grosso in B-Flat Major, Op. 1 No.3: II. Allegro | Pietro Locatelli, Orchestre De Chambre De Toulouse, Gilles Colliard | A Major | 3 | 11B | 99 BPM | ||
Airs for the Spring: Crocus: I. Aria: Moderato | James Oswald, The Broadside Band | D♭ Minor | 2 | 12A | 92 BPM | ||
Leclair: Scylla et Glaucus, Op. 11, Prologue: Air gracieux | Jean-Marie Leclair, John Eliot Gardiner, English Baroque Soloists | A♭ Minor | 0 | 1A | 68 BPM | ||
Concerto Grosso in A Major, Op. 2, No. 6: I. Andante | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | A Major | 1 | 11B | 85 BPM | ||
Concerto for Trumpet, 2 Oboes, Strings and Continuo: II. Largo | Johann Friedrich Fasch, Giuliano Sommerhalder, Kammerorchester Basel, Julia Schröder | D♭ Major | 1 | 3B | 81 BPM | ||
Concerto À 4 Parties In A Minor: 3. Allegro | Michel Blavet, Musica Antiqua Köln, Henk Bouman, Reinhard Goebel | A♭ Minor | 2 | 1A | 136 BPM | ||
Mystery (Rosary) Sonata No. 5, "The 12-Year-Old Jesus in the Temple": II. Allaman | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | A♭ Major | 1 | 4B | 82 BPM | ||
Sonata in G Major for Bassoon and Continuo, Op. 50 No. 2: I. Largo | Joseph Bodin de Boismortier, Peter Whelan, Ensemble Marsyas | A♭ Minor | 0 | 1A | 74 BPM | ||
Mensa sonora / PARS II (In F Major): 5. Sarabanda (II) | Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel | E Major | 1 | 12B | 79 BPM |