Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel made "Mensa sonora / PARS II (In F Major): 5. Sarabanda (II)" available on January 1, 1988. With Mensa sonora / PARS II (In F Major): 5. Sarabanda (II) being less than two minutes long, at 1:20, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 11 out of 47 in Biber: Mensa Sonora by Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Mensa sonora / PARS II (In F Major): 5. Sarabanda (II) is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Mensa sonora / PARS II (In F Major): 5. Sarabanda (II) by Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel is Andante (at a walking pace), since this song has a tempo of 79 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Psyche, Act V Scene 3: Rustick musick of Mænades & Ægipanes | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | A♭ Major | 3 | 4B | 120 BPM | ||
Trio Sonata No. 3 in A Major: I. Largo | William Boyce, Simon Standage, Collegium Musicum 90 | E♭ Major | 0 | 5B | 84 BPM | ||
Trio Sonata in B-Flat Major, GraunWV A:XV:16: II. Allegretto | Johann Gottlieb Graun, London Baroque | F♯ Minor | 2 | 11A | 61 BPM | ||
Sinfonia a quattro: III. Allegro | František Tůma, Czech Ensemble Baroque, Roman Válek | B Major | 2 | 1B | 83 BPM | ||
Sonata in A Minor, Op. 6, No. 6: IV. Allegro | Tomaso Albinoni, Ensemble Barocco Sans Souci | E Major | 3 | 12B | 105 BPM | ||
Sonata a tre in re maggiore: II. Adagio | Giovanni Battista Bassani, Musica Antiqua Latina | D♭ Major | 0 | 3B | 102 BPM | ||
Sonata No. 2 in A Major, C. 91 "The Visitation": Sonata - Allemanda - Presto | Heinrich Ignaz Franz von Biber, Rachel Podger, David Miller, Marcin Świątkiewicz, Jonathan Manson | A♭ Major | 1 | 4B | 67 BPM | ||
Concerto No 10 in D minor - Adagio | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | E Major | 1 | 12B | 142 BPM | ||
Sinfonia Doriclea | Francesco Cavalli, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM | ||
Sonatae tam aris quam aulis servientes: Duo No. 11, C. 136 | Heinrich Ignaz Franz von Biber, Harmonie Universelle, Florian Deuter, Hans-Martin Rux-Brachtendorf, Astrid Brachtendorf | B Major | 2 | 1B | 74 BPM |