On September 23, 2022, the song "Psyche, Act V Scene 3: Rustick musick of Mænades & Ægipanes" was released by Matthew Locke, Ensemble Correspondances, Sébastien Daucé. With Psyche, Act V Scene 3: Rustick musick of Mænades & Ægipanes being less than two minutes long, at 1:06, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Matthew Locke, Ensemble Correspondances, Sébastien Daucé's "Locke: Psyche" album is number 32 out of 55. On top of that, France appears to be the country where this track was created. Based on our statistics, Psyche, Act V Scene 3: Rustick musick of Mænades & Ægipanes's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Psyche, Act V Scene 3: Rustick musick of Mænades & Ægipanes by Matthew Locke, Ensemble Correspondances, Sébastien Daucé to be Moderato (at a moderate speed) because the track has a tempo of 120 テンポ, a half-time of 60テンポ, and a double-time of 240 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Credidi propter quod | Tarquinio Merula, Ensemble Correspondances, Sébastien Daucé | F Major | 2 | 7B | 110 BPM | ||
Bembo: Habbi pietà di me | Antonia Bembo, Christina Pluhar, L'Arpeggiata, Céline Scheen | E Minor | 1 | 9A | 70 BPM | ||
Sett in D Minor, Op. 2: V. Jigg | James Paisible, Musica Barocca | E Major | 1 | 12B | 123 BPM | ||
Marais: Pièces en trio: Suite No. 5 en mi mineur: X. Passacaille | Marin Marais, Ensemble Amalia | E♭ Minor | 2 | 2A | 118 BPM | ||
Concerto for 3 Trumpets and Timpani in D Major, TWV 54:D3: I. Intrada - Grave | Georg Philipp Telemann, The English Concert, Trevor Pinnock | B♭ Major | 0 | 6B | 63 BPM | ||
Suite in C Minor: I. Préludio in C solfaut | Nicola Matteis, Le Consort | B Major | 0 | 1B | 84 BPM | ||
Violin Sonata in E Major, Op. 5 No. 11 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): II. Allegro | Arcangelo Corelli, Teodoro Baù, Andrea Buccarella | D♭ Major | 4 | 3B | 63 BPM | ||
Les Saisons amsusantes, Op. 8: Concerto No. 2, "Les Plaisirs de l'Eté": III. Allegro, "La Caccia" | Nicolas Chédeville, Dorothee Oberlinger | B Major | 3 | 1B | 145 BPM | ||
Missa Mirabiles elationes maris: Kyrie I | Francesco Beretta, Ensemble Correspondances, Sébastien Daucé | G Minor | 2 | 6A | 65 BPM | ||
Les goûts-réunis, ou Nouveaux Concerts, Concert No. 9 in E Major "Il ritratto dell'amore": No. 1, Le charme | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM |