"Peer Gynt Suite No. 1, Op. 46: I. Morning Mood" by Edvard Grieg, Leonard Slatkin, St. Louis Symphony was released on 1979. With this song being around four minutes long, at 3:44, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 11 out of 14 in Bizet: Suites from Carmen - Grieg: Suites from Peer Gynt by Leonard Slatkin, St. Louis Symphony. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Peer Gynt Suite No. 1, Op. 46: I. Morning Mood's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Peer Gynt Suite No. 1, Op. 46: I. Morning Mood by Edvard Grieg, Leonard Slatkin, St. Louis Symphony is Allegro (fast, quick, and bright), since this song has a tempo of 134 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Slavonic Dances, Series I., Op. 46, B. 83: III. in A flat major. Poco allegro | Antonín Dvořák, Prague Symphony Orchestra, Tomáš Brauner | A♭ Major | 0 | 4B | 131 BPM | ||
Oboe Concerto in D Major, TrV 292: II. Andante | Richard Strauss, Copenhagen Philharmonic Orchestra, Toshiyuki Kamioka | B♭ Major | 0 | 6B | 68 BPM | ||
Capriol Suite: I. Basse-danse | Peter Warlock, Büyükada Ensemble, James Ross | A Minor | 1 | 8A | 74 BPM | ||
The Winton Suite: III. Dance | Adam Carse, Royal Ballet Sinfonia, Gavin Sutherland | G Major | 2 | 9B | 139 BPM | ||
Beecham & Handel: The Gods Go a'Begging: I. Introduction (After Admeto, HWV 22) | George Frideric Handel, Sir Thomas Beecham, Royal Philharmonic Orchestra | C Minor | 0 | 5A | 78 BPM | ||
2 Melodies, Op. 53 (version for orchestra): No. 2. Det forste mode (The First Meeting) | Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset | D Major | 0 | 10B | 74 BPM | ||
Children's Corner (arr. A. Caplet for orchestra): Doctor Gradus ad Parnassum | Andre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam | C Major | 0 | 8B | 76 BPM | ||
Debussy / Orch. Büsser: Printemps, L. 68: I. Très Modéré | Claude Debussy, Michel Plasson, Philippe Alègre, Martine Laure, Orchestre Du Capitole De Toulouse | D♭ Major | 2 | 3B | 84 BPM | ||
Indiana Jones and the Last Crusade: Scherzo for Motorcycle and Orchestra | Danish National Symphony Orchestra, Christian Schumann | D Minor | 5 | 7A | 87 BPM | ||
Butterfly Lovers Violin Concerto: IV. Pesante - Più mosso - Duramente | Chen Gang, Zhanhao He, Joshua Bell, Tsung Yeh, Singapore Chinese Orchestra | D Major | 1 | 10B | 76 BPM |