Beecham & Handel: The Gods Go a'Begging: I. Introduction (After Admeto, HWV 22)

George Frideric Handel, Sir Thomas Beecham, Royal Philharmonic Orchestra
Handel, Beecham: The Gods Go a'Begging
1:35 2022年3月25日
テンポ
78
キー
C Minor
キャメロットミュージックキー
5A

リンクを埋め込む

共有

Beecham & Handel: The Gods Go a'Begging: I. Introduction (After Admeto, HWV 22) - George Frideric Handel, Sir Thomas Beecham, Royal Philharmonic Orchestra 情報

音響性
90%
ダンサビリティ
19%
エネルギー
4%
手段性
44%
活気
20%
ラウドネス
46%
話し言葉
4%
価数
11%
人気
ラウドネス
-32.439 dB

まとめ

"Beecham & Handel: The Gods Go a'Begging: I. Introduction (After Admeto, HWV 22)" by George Frideric Handel, Sir Thomas Beecham, Royal Philharmonic Orchestra was released on March 25, 2022. With Beecham & Handel: The Gods Go a'Begging: I. Introduction (After Admeto, HWV 22) being less than two minutes long, at 1:35, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Sir Thomas Beecham, George Frideric Handel, Royal Philharmonic Orchestra's "Handel, Beecham: The Gods Go a'Begging" album is number 1 out of 9. On top of that, United Kingdom appears to be the country where this track was created. Beecham & Handel: The Gods Go a'Begging: I. Introduction (After Admeto, HWV 22) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Beecham & Handel: The Gods Go a'Begging: I. Introduction (After Admeto, HWV 22) テンポ

We consider the tempo marking of Beecham & Handel: The Gods Go a'Begging: I. Introduction (After Admeto, HWV 22) by George Frideric Handel, Sir Thomas Beecham, Royal Philharmonic Orchestra to be Andante (at a walking pace) because the track has a tempo of 78 テンポ, a half-time of 39テンポ, and a double-time of 156 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.

Beecham & Handel: The Gods Go a'Begging: I. Introduction (After Admeto, HWV 22) キー

This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
Serenade for Strings in C Major, Op. 48, TH 48: II. Valse by Pyotr Ilyich Tchaikovsky, Zagreb Philharmonic Orchestra, Dmitri KitayenkoSerenade for Strings in C Major, Op. 48, TH 48: II. ValsePyotr Ilyich Tchaikovsky, Zagreb Philharmonic Orchestra, Dmitri KitayenkoC Major18B138 BPM
Peer Gynt Opp.46 & 55, Excerpts, Suite No. 2, Op.55: Arab Dance by Paavo BerglundPeer Gynt Opp.46 & 55, Excerpts, Suite No. 2, Op.55: Arab DancePaavo BerglundE Minor19A124 BPM
Violin Concerto in D Minor Violin Concerto in D Minor "Accademico": II. AdagioRalph Vaughan Williams, London Choral Sinfonia, Michael Waldron, Jack LiebeckG Major19B79 BPM
The Son Of Kong: Runaway Blues by Moscow Symphony Orchestra, William T. Stromberg, John Morgan, Max SteinerThe Son Of Kong: Runaway BluesMoscow Symphony Orchestra, William T. Stromberg, John Morgan, Max SteinerF Major07B138 BPM
Presto Paradigm by Selena VelesPresto ParadigmSelena VelesE Minor09A114 BPM
Gayaneh, Ballet Suite: Gayaneh's Adagio by Aram Khachaturian, Bolshoi Theatre Orchestra, Yevgeny SvetlanovGayaneh, Ballet Suite: Gayaneh's AdagioAram Khachaturian, Bolshoi Theatre Orchestra, Yevgeny SvetlanovA Major111B105 BPM
Wachet auf, ruft uns die Stimme, Cantata BWV 140: 4. Zion Hears The Watchmen Singing BWV 140 (arr. orchestra) by Johann Sebastian Bach, Royal Philharmonic Orchestra, James MorganWachet auf, ruft uns die Stimme, Cantata BWV 140: 4. Zion Hears The Watchmen Singing BWV 140 (arr. orchestra)Johann Sebastian Bach, Royal Philharmonic Orchestra, James MorganE♭ Major05B111 BPM
Barry Lyndon: Sarabande by Royal Philharmonic OrchestraBarry Lyndon: SarabandeRoyal Philharmonic OrchestraF Minor24A149 BPM
Copland: Suite from Appalachian Spring: II. Allegro (1945 Version) by Aaron Copland, Minnesota Orchestra, Sir Neville MarrinerCopland: Suite from Appalachian Spring: II. Allegro (1945 Version)Aaron Copland, Minnesota Orchestra, Sir Neville MarrinerC Major08B87 BPM
Ballet Suite No. 1 (arr. L. Atovmyan): Galop (The Limpid Stream) by Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry YablonskyBallet Suite No. 1 (arr. L. Atovmyan): Galop (The Limpid Stream)Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry YablonskyA Major411B162 BPM
ISRC
GBAYC2102318
レコードレーベル
L-M Records/RCA Records