"Capriol Suite: I. Basse-danse" by Peter Warlock, Büyükada Ensemble, James Ross was released on December 18, 2020. With Capriol Suite: I. Basse-danse being less than two minutes long, at 1:18, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Warlock Capriol Suite by Peter Warlock, Büyükada Ensemble, James Ross. The song's track number on the album is #1 out of 6 tracks. Capriol Suite: I. Basse-danse is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Capriol Suite: I. Basse-danse by Peter Warlock, Büyükada Ensemble, James Ross has a tempo of 74 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Capriol Suite: I. Basse-danse being at 74 テンポ, the half-time would be 37 テンポ with a double-time of 148 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Horn Concerto in D Major, TWV 51:D8: I. Vivace | Georg Philipp Telemann, R.J. Kelley, Palisades Baroque, Richard Dunn | E Major | 3 | 12B | 115 BPM | ||
3 Carols: No. 1, Tyrley, tyrlow | Peter Warlock, BBC Concert Orchestra, David Hill, BBC Singers, Helen Neeves | C Major | 2 | 8B | 94 BPM | ||
Saint-Saëns: Piano Concerto No. 5 in F Major, Op. 103 "Egyptian": III. Molto allegro | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | G Major | 0 | 9B | 130 BPM | ||
A Moorside Suite, H. 173: March | Gustav Holst, Royal Northern Sinfonia, David Lloyd-Jones | A Minor | 2 | 8A | 123 BPM | ||
I. Basse-Danse | Peter Warlock, Metamorphosen Berlin, Wolfgang Emanuel Schmidt | D Minor | 3 | 7A | 191 BPM | ||
Overture to "A Midsummer Night's Dream", Op. 21: Allegro di molto | Felix Mendelssohn, London Symphony Orchestra, John Eliot Gardiner | E Major | 1 | 12B | 137 BPM | ||
Children of the Storm | Shota Ikeda | D Major | 2 | 10B | 128 BPM | ||
Warlock: Capriol Suite for Strings: VI. Mattachins (Sword Dance). Allegro con brio (Arr. for Guitar) | Peter Warlock, Christopher Parkening, Academy of St. Martin in the Fields, Iona Brown | F Major | 2 | 7B | 90 BPM | ||
Petite Valse, Miniatures Op. 10 No. 2 (Gennari Karganoff (Korganov)) | The Gerst Ensemble | D Major | 0 | 10B | 85 BPM | ||
Hary Janos Suite: Háry János Suite: V. Intermezzo | Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra, Laurence Kaptain | D Minor | 1 | 7A | 109 BPM |