Peter Warlock, Metamorphosen Berlin, Wolfgang Emanuel Schmidt made "I. Basse-Danse" available on July 9, 2021. With I. Basse-Danse being less than two minutes long, at 1:12, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. Because this song is the only song in Capriol Suite/I. Basse-Danse and no other songs are present in the album, we classify this track as a single. The popularity of I. Basse-Danse is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of I. Basse-Danse by Peter Warlock, Metamorphosen Berlin, Wolfgang Emanuel Schmidt is Presto (very, very fast), since this song has a tempo of 191 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fauré: Pavane, Op. 50 | Gabriel Fauré, Sir Neville Marriner, Academy of St. Martin in the Fields | F♯ Minor | 1 | 11A | 70 BPM | ||
Purcell : King Arthur : Air | William Christie | G Minor | 1 | 6A | 0 BPM | ||
Mendelssohn: Song Without Words in D Major, Op. 109, MWV Q34 | Felix Mendelssohn, Jacqueline du Pré, Gerald Moore | D Major | 0 | 10B | 93 BPM | ||
String Quartet No. 12 in F Major, "American", Op. 96: II. Lento | Antonín Dvořák, Chilingirian Quartet | D Minor | 0 | 7A | 87 BPM | ||
Petite Suite de Concert, Op. 77: III. Un sonnet d'amour | Samuel Coleridge-Taylor, Chineke! Orchestra, Anthony Parnther | D Major | 0 | 10B | 62 BPM | ||
Carillon Carilla | Peter Warlock, Angela Hicks, The Carice Singers, Rachel Haworth, George Parris | C Major | 0 | 8B | 75 BPM | ||
Antiche danze ed arie per liuto, Suite No. 1, P. 109: I. Balletto detto "Il Conte Orlando" | Ottorino Respighi, Munich Radio Orchestra, Henry Raudales | D♭ Major | 1 | 3B | 134 BPM | ||
Die Moldau | Bedřich Smetana, Alexander Boldachev | D Major | 0 | 10B | 77 BPM | ||
Capriol Suite *: VI. Mattachins | Peter Warlock, Bournemouth Sinfonietta, Richard Studt | F Major | 2 | 7B | 85 BPM | ||
Simple Symphony, Op. 4: II. Playful Pizzicato | Benjamin Britten, Metamorphosen Berlin, Wolfgang Emanuel Schmidt | D Minor | 2 | 7A | 90 BPM |