"Children's Corner (arr. A. Caplet for orchestra): Doctor Gradus ad Parnassum" by Andre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam was released on January 31, 1995. The duration of Children's Corner (arr. A. Caplet for orchestra): Doctor Gradus ad Parnassum is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Children's Corner (arr. A. Caplet for orchestra): Doctor Gradus ad Parnassum's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 11 in Debussy-Caplet: Children's Corner Suite by Andre Caplet. Children's Corner (arr. A. Caplet for orchestra): Doctor Gradus ad Parnassum is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Children's Corner (arr. A. Caplet for orchestra): Doctor Gradus ad Parnassum by Andre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam is Adagio (slowly with great expression), since this song has a tempo of 76 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 6 in B Minor, Op. 74 "Pathétique": IV. Adagio lamentoso | Pyotr Ilyich Tchaikovsky, Markus Poschner, Orchestra della Svizzera Italiana | B Minor | 0 | 10A | 72 BPM | ||
Springtime Suite: Noonday Song | Eric Coates, BBC Concert Orchestra, John Wilson | G Major | 1 | 9B | 64 BPM | ||
Josephs-Legende, Op. 63, TrV 231: Der Sheik verbeugt sich nochmals und winkt noch einmal nach oben. Etwas ruhiger | Richard Strauss, Staatskapelle Halle, Fabrice Bollon | D Minor | 1 | 7A | 135 BPM | ||
The Tempest: Suite No. 2, Op. 109: VII. The Naiads | Jean Sibelius, Iceland Symphony Orchestra, Petri Sakari | C Major | 1 | 8B | 70 BPM | ||
Variations on a Nursery Song, Op. 25: Var. 3. L'istesso tempo | Ernst von Dohnányi, Isata Kanneh-Mason, Royal Liverpool Philharmonic Orchestra, Domingo Hindoyan | C Major | 1 | 8B | 130 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
Concerto-Fantasy: II. Interlude | Paul Chihara, Quynh Nguyen, London Symphony Orchestra, Stephen Barlow | G Major | 2 | 9B | 77 BPM | ||
Variations and Fugue on a Theme of Mozart, Op. 132: Variation 7 - Andante grazioso | Max Reger, Staatskapelle Dresden, Heinz Bongartz | A Major | 2 | 11B | 128 BPM | ||
2 Sketches: A Northern Dance | Adam Carse, Royal Northern Sinfonia, David Lloyd-Jones | A Minor | 2 | 8A | 136 BPM | ||
Violin Concerto: III. Electric | Christopher Schmitz, Amy Schwartz Moretti, London Symphony Orchestra, Stefan Sanderling | D Minor | 1 | 7A | 89 BPM |