"Dixit Dominus, HWV 232: 4. Juravit Dominus" by George Frideric Handel, Arleen Auger, Lynne Dawson, Diana Montague, Leigh Nixon, Simon Birchall, Orchestra of Westminster Abbey, Simon Preston, The Choir Of Westminster Abbey was released on January 1, 1988. The duration of Dixit Dominus, HWV 232: 4. Juravit Dominus is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Dixit Dominus, HWV 232: 4. Juravit Dominus's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel, Orchestra of Westminster Abbey, Simon Preston, The Choir Of Westminster Abbey's "Handel: Dixit Dominus, HWV 232; Nisi Dominus, HWV 238; Salve Regina, HWV 241" album is number 4 out of 19. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Dixit Dominus, HWV 232: 4. Juravit Dominus is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Dixit Dominus, HWV 232: 4. Juravit Dominus by George Frideric Handel, Arleen Auger, Lynne Dawson, Diana Montague, Leigh Nixon, Simon Birchall, Orchestra of Westminster Abbey, Simon Preston, The Choir Of Westminster Abbey to be Moderato (at a moderate speed) because the track has a tempo of 116 テンポ, a half-time of 58テンポ, and a double-time of 232 テンポ. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Handel: Messiah, HWV 56, Part 3: I know that my Redeemer liveth (Soprano) | George Frideric Handel, Elizabeth Harwood, Dame Janet Baker, Paul Esswood, Robert Tear, Raimund Herincx, Ambrosian Singers, Sir Charles Mackerras, English Chamber Orchestra | A Minor | 4 | 8A | 0 BPM | ||
Pergolesi: Stabat mater: VIII. Fac ut ardeat cor meum | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | F♯ Minor | 3 | 11A | 71 BPM | ||
Concerto No 6 in C minor - Allegro | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | B Minor | 2 | 10A | 104 BPM | ||
Gloria in D Major, R. 589 - G.Ricordi 1970, Ed. Malipiero: XII. Cum Sancto Spiritu | Antonio Vivaldi, David Reichenberg, Crispian Steele-Perkins, The English Concert, Trevor Pinnock, The English Concert Choir | D Minor | 0 | 7A | 85 BPM | ||
Stabat Mater: 10. Fac ut portem | Giovanni Battista Pergolesi, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | G Minor | 0 | 6A | 66 BPM | ||
Requiem in C Minor: I. Introitus | Luigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr Fiala | A♭ Major | 0 | 4B | 58 BPM | ||
Requiem, Op. 48: Libera me | Gabriel Fauré, Collegium Vocale Gent, La Chapelle Royale, Stephan Genz, Philippe Herreweghe | D Minor | 0 | 7A | 62 BPM | ||
Sinfonia in A Major: I. Presto | Giovanni Battista Sammartini, Capella Istropolitana, Jaroslav Krcek | A Major | 3 | 11B | 117 BPM | ||
Come Let Us Join the Roundelay | William Beale, David James, Paul Elliott, Leigh Nixon, Paul Hillier | A♭ Major | 2 | 4B | 98 BPM | ||
Armide Opera In 5 Acts With Prologue: Que l'éclat de son nom | Jean-Baptiste Lully, Céline Scheen, Goedele Heidbüchel, Musica Antiqua Köln, Reinhard Goebel, Ex Tempore | B Major | 3 | 1B | 180 BPM |