Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti's 'Pergolesi: Stabat mater: VIII. Fac ut ardeat cor meum' came out on October 28, 2013. The duration of Pergolesi: Stabat mater: VIII. Fac ut ardeat cor meum is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Pergolesi: Stabat mater: VIII. Fac ut ardeat cor meum's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 26 in the song's album "Pergolesi: Stabat Mater, Laudate pueri & Confitebor". In this album, this song's track order is #8. Pergolesi: Stabat mater: VIII. Fac ut ardeat cor meum is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Pergolesi: Stabat mater: VIII. Fac ut ardeat cor meum by Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti having a テンポ of 71 with a half-time of 36 テンポ and a double-time of 142 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fauré: Requiem, Op. 48: III. Sanctus | Gabriel Fauré, Choeur de l'Orchestre de Paris, Orchestre de Paris, Paavo Järvi | E♭ Major | 0 | 5B | 66 BPM | ||
Oreste, HWV A11 - Act 1: "Agitato da fiere tempeste" | George Frideric Handel, Franco Fagioli, Il Pomo D'oro, Zefira Valova | D♭ Major | 5 | 3B | 122 BPM | ||
Weint nicht um meinen Tod | Johann Bach, Vox Luminis, Lionel Meunier | C Minor | 0 | 5A | 67 BPM | ||
Ouverture "Wassermusik" in C Major, TWV 55:C3: I. Ouverture | Georg Philipp Telemann, Ensemble Zefiro, Alfredo Bernardini | B Major | 3 | 1B | 121 BPM | ||
Orontea: Intorno all'idol mio | Antonio Cesti, Cecilia Bartoli, György Fischer | E Minor | 0 | 9A | 104 BPM | ||
La traviata / Act 2: "Di Provenza il mar, il suol" | Giuseppe Verdi, Dmitri Hvorostovsky, Rotterdam Philharmonic Orchestra, Valery Gergiev | D♭ Major | 2 | 3B | 76 BPM | ||
Grande Messe des Morts: VI. Graduale: Fuga - Et lux perpetua | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | C Minor | 2 | 5A | 109 BPM | ||
Ein deutsches Requiem (A German Requiem), Op. 45: VII. Selig sind die Toten | Johannes Brahms, Katherine Fuge, Matthew Brook, The Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | F Major | 1 | 7B | 134 BPM | ||
Orfeo ed Euridice: Act I, Scene 1, Coro: Ah, se intorno a quest'urna funesta | Christoph Willibald Gluck, René Jacobs, RIAS Kammerchor, Freiburger Barockorchester | F Minor | 1 | 4A | 80 BPM | ||
Handel: Siroe, re di Persia, HWV 24, Act 3: "Deggio morire, o stelle" (Siroe) | George Frideric Handel, Philippe Jaroussky | B Minor | 1 | 10A | 133 BPM |