On September 17, 2009, the song "Come Let Us Join the Roundelay" was released by William Beale, David James, Paul Elliott, Leigh Nixon, Paul Hillier. With Come Let Us Join the Roundelay being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 17 in the song's album "The Romantic Englishman". In this album, this song's track order is #6. In terms of popularity, Come Let Us Join the Roundelay is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Come Let Us Join the Roundelay by William Beale, David James, Paul Elliott, Leigh Nixon, Paul Hillier having a テンポ of 98 with a half-time of 49 テンポ and a double-time of 196 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
The music key of this track is A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Like as the Hart Desireth the Water Brooks, So Longeth My Soul After Thee, O God (Psalm 42) | Samuel Wesley, Gloriae Dei Cantores, Elizabeth C. Patterson, Unknown Artist | G Major | 2 | 9B | 101 BPM | ||
Wesley: And Can It Be That I Should Gain (Sagina) - 1. and Can It Be That I Should Gain | Methodist Central Hall Choir, Westminster, John Chapman, Epworth Choir | E♭ Major | 3 | 5B | 81 BPM | ||
A Hymn of Glory Let Us Sing SHZ 121 | Laestadian Lutheran Church | G Major | 4 | 9B | 117 BPM | ||
Comfort, Comfort, Ye My People | The Choir of the Cathedral Church of the Advent | F Major | 2 | 7B | 70 BPM | ||
Psalm 116 (To Eventide) | The Psalms Sung | E♭ Major | 4 | 5B | 80 BPM | ||
Immaculate Mary | Prima Luce, Béatrice Piat | G Major | 1 | 9B | 133 BPM | ||
Abide with Me (arr. M. Hogan) | William Henry Monk, Moses Hogan, Messiah College Concert Choir, Linda L. Tedford | A♭ Minor | 0 | 1A | 70 BPM | ||
Psalm 23 "The Lord Is My Shepherd" | Charles Hylton Stewart, Hereford Cathedral Choir, Geraint Bowen, Roy Massey | F Major | 0 | 7B | 109 BPM | ||
Have Mercy Upon Me, O God, After Thy Great Goodness (Psalm 51) | Samuel Wesley, Gloriae Dei Cantores, Elizabeth C. Patterson, Unknown Artist | G Major | 1 | 9B | 75 BPM | ||
Love divine, all loves excelling (Blaenwern) | William P. Rowlands, Massed Choirs From Merseyside, Liverpool Cathedral Brass Ensemble, Liverpool Cathedral Choir, Ian Wells, Ian Tracey | G Major | 2 | 9B | 70 BPM |