William P. Rowlands, Massed Choirs From Merseyside, Liverpool Cathedral Brass Ensemble, Liverpool Cathedral Choir, Ian Wells, Ian Tracey's 'Love divine, all loves excelling (Blaenwern)' came out on 1992. The duration of Love divine, all loves excelling (Blaenwern) is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Love divine, all loves excelling (Blaenwern)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Your Favourite Hymns by Ian Tracey/Ian Wells/Liverpool Cathedral Choir/Liverpool Cathedral Brass Ensemble/Massed Choirs from Merseyside. The song's track number on the album is #18 out of 21 tracks. Love divine, all loves excelling (Blaenwern) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Love divine, all loves excelling (Blaenwern) by William P. Rowlands, Massed Choirs From Merseyside, Liverpool Cathedral Brass Ensemble, Liverpool Cathedral Choir, Ian Wells, Ian Tracey has a tempo of 70 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Love divine, all loves excelling (Blaenwern) being at 70 テンポ, the half-time would be 35 テンポ with a double-time of 140 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
The music key of this track is G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Be Still for the Presence of the Lord | The London Fox Choir | D Major | 2 | 10B | 77 BPM | ||
The Servant Song | Richard Gillard, Betty C. Pulkingham | E♭ Major | 3 | 5B | 92 BPM | ||
Hanover "O Worship the King all Glorious Above" | William Croft, The Choir of Tewkesbury Abbey School, Carleton Etherington, Benjamin Nicholas | G Major | 2 | 9B | 93 BPM | ||
Wesley: Lo! He Comes with Clouds Descending (Helmsley) - 4. Yea, Amen! Let All Adore Thee | Methodist Central Hall Choir, Westminster, John Chapman, Epworth Choir | G Major | 2 | 9B | 59 BPM | ||
From All That Dwell Below the Skies | The Coventry Singers | F Major | 2 | 7B | 81 BPM | ||
Now Thank We All Our God | Cantillation, David Drury, David Russell | F Major | 1 | 7B | 180 BPM | ||
I Have A Home Beyond The River | New Apostolic Church of Cape Town | C Major | 1 | 8B | 62 BPM | ||
There’s a Wideness in God’s Mercy | Frederick William Faber, Maurice Bevan, Choir of Jesus College, Cambridge, Richard Pinel | E♭ Major | 2 | 5B | 137 BPM | ||
Near To The Heart Of God | The Majesty And Glory Performers | D♭ Major | 1 | 3B | 130 BPM | ||
For The Beauty Of The Earth/Come, Ye Thankful People/Come, Christians Join To Sing | 32 Great Hymns Of Faith Performers | A Major | 4 | 11B | 111 BPM |