Aureliano Pertile's 'Fedora, Aureliano Pertile: Act II- " Vedi Io piango"' came out on November 30, 2010. The duration of Fedora, Aureliano Pertile: Act II- " Vedi Io piango" is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Fedora, Aureliano Pertile: Act II- " Vedi Io piango"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 40 in the song's album "Opera for ever new additions". In this album, this song's track order is #24. In terms of popularity, Fedora, Aureliano Pertile: Act II- " Vedi Io piango" is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Fedora, Aureliano Pertile: Act II- " Vedi Io piango" by Aureliano Pertile having a テンポ of 110 with a half-time of 55 テンポ and a double-time of 220 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 5/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sadko, Scene 4: Song of the Hindu Merchant (Hindu Merchant) | Nikolai Rimsky-Korsakov, Gennady Rozhdestvensky, Philharmonia Orchestra, Sergej Larin | D Major | 2 | 10B | 99 BPM | ||
Aida, IGV 1, Act I: "Se quel guerrier io fossi! / Celeste Aida" (Radamès) | Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Carlo Sabajno, Aureliano Pertile | C Minor | 2 | 5A | 99 BPM | ||
Andrea Chénier / Act 1: Il giorno intorno già s'insera lentamente! ... Via, | Umberto Giordano, Montserrat Caballé, Leo Nucci, Astrid Varnay, Kathleen Kuhlmann, National Philharmonic Orchestra, Riccardo Chailly | D Major | 1 | 10B | 79 BPM | ||
Andrea Chenier: Vicino a te s´acqueta | Margaret Sheridan, Aureliano Pertile | B♭ Major | 4 | 6B | 95 BPM | ||
La Boheme, vierter Akt: Musetta ! | Coro del Teatro Municipale di Reggio Emilia, Orchestra del Teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli | F♯ Minor | 5 | 11A | 62 BPM | ||
Vicino a te s´acqueta (Andrea Chenier) | Aureliano Pertile, Margaret Sheridan, Members of La Scala Orchestra, Milan | F Major | 3 | 7B | 99 BPM | ||
Chotis del Eliseo Madrileño - Remastered | Federico Chueca, Nati Mistral, Pura María Martinez, Antonio Blancas, Zori Santos Y Codeso, Antonio Martelo, José Peromingo | C Major | 2 | 8B | 110 BPM | ||
Meyerbeer: Il crociato in Egitto: "Suona funerea" (Adriano, Cavalieri) | Giacomo Meyerbeer, Michael Spyres, Christophe Rousset, Les Talens Lyriques, Le Jeune Choeur de Paris | G Major | 1 | 9B | 62 BPM | ||
Las Golondrinas: "Final, Se marcha" | Coro del Gran Teatro Lírico de Bacelona, Fidela Campiña, Carlo Galeffi | E♭ Major | 2 | 5B | 129 BPM | ||
Il Trovatore, IGV 31, Act II: "Soli or siamo; deh, narra questa storia funesta" (Manrico, Azucena) | Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Carlo Sabajno, Aureliano Pertile, Irene Minghini Cattaneo | C Major | 3 | 8B | 96 BPM |