"Il Trovatore, IGV 31, Act II: "Soli or siamo; deh, narra questa storia funesta" (Manrico, Azucena)" by Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Carlo Sabajno, Aureliano Pertile, Irene Minghini Cattaneo was released on June 1, 1996. With this song being about 5 minutes long, at 5:18, "Il Trovatore, IGV 31, Act II: "Soli or siamo; deh, narra questa storia funesta" (Manrico, Azucena)" by Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Carlo Sabajno, Aureliano Pertile, Irene Minghini Cattaneo is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of VERDI: IL TROVATORE by Giuseppe Verdi, Carlo Sabajno, Orchestra Del Teatro Alla Scala, Milano. The song's track number on the album is #11 out of 33 tracks. Based on our data, Italy was the country where this track was produced or recorded. In terms of popularity, Il Trovatore, IGV 31, Act II: "Soli or siamo; deh, narra questa storia funesta" (Manrico, Azucena) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Il Trovatore, IGV 31, Act II: "Soli or siamo; deh, narra questa storia funesta" (Manrico, Azucena) by Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Carlo Sabajno, Aureliano Pertile, Irene Minghini Cattaneo has a tempo of 96 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Il Trovatore, IGV 31, Act II: "Soli or siamo; deh, narra questa storia funesta" (Manrico, Azucena) being at 96 テンポ, the half-time would be 48 テンポ with a double-time of 192 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 5/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serse / Act 1 HWV40: "Ombra mai fu" | George Frideric Handel, Bryn Terfel, Scottish Chamber Orchestra, Sir Charles Mackerras | E Major | 1 | 12B | 90 BPM | ||
L'elisir d'amore / Act 2: "Una furtiva lagrima" | Gaetano Donizetti, Luciano Pavarotti, English Chamber Orchestra, Richard Bonynge | B♭ Major | 1 | 6B | 166 BPM | ||
'A vucchella | Francesco Paolo Tosti, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Anton Guadagno | F Major | 1 | 7B | 81 BPM | ||
Roméo et Juliette, 'Romeo and Juliet' (1997 Digital Remaster): Je veux vivre (Waltz) | Maria Callas, Georges Prêtre, The Orchestra National De La Radiodiffusion Francaise | F Major | 2 | 7B | 81 BPM | ||
Adriana Lecouvreur (1986 Digital Remaster): Ecco: respiro appena...Io son l'umile ancella | Maria Callas, Tullio Serafin | A♭ Major | 1 | 4B | 92 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): II. Aragonaise | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Minor | 0 | 7A | 117 BPM | ||
Il Barbiere di Siviglia (1996 Digital Remaster): Mille grazie, mio signore (Coro/Conte/Fiorello) | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri | G Major | 7 | 9B | 136 BPM | ||
Carmen Suite No. 2 (Arr. E. Guiraud): II. Habanera | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 0 | 10B | 127 BPM | ||
Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
La Sonnambula (1997 Digital Remaster): Compagne, temiri amici ....Come per me sereno | Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | A♭ Major | 1 | 4B | 113 BPM |