Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González made "Carmen Suite No. 2 (Arr. E. Guiraud): II. Habanera" available on October 13, 2017. The duration of Carmen Suite No. 2 (Arr. E. Guiraud): II. Habanera is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Carmen Suite No. 2 (Arr. E. Guiraud): II. Habanera's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 20 in Bizet: Carmen & L'arlésienne Suites by Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, Carmen Suite No. 2 (Arr. E. Guiraud): II. Habanera's popularity is below average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Carmen Suite No. 2 (Arr. E. Guiraud): II. Habanera by Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González is Allegro (fast, quick, and bright), since this song has a tempo of 127 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prelude In D Minor, BWV 926 : Prelude In D Minor, BWV 926 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 126 BPM | ||
Sylvia: Act III: Divertissement: Pizzicati | Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia | E♭ Major | 0 | 5B | 127 BPM | ||
Don Giovanni: Madamina | Joan Pons, Antoni Ros Marbá, Orquestra Simfònica de Barcelona i Nacional de Catalunya | D Major | 2 | 10B | 134 BPM | ||
L'Arlésienne Suite No. 2: Menuet | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | E♭ Major | 0 | 5B | 128 BPM | ||
Prelude In A Minor Op. 32 No. 8 | Vladimir Horowitz | F Major | 1 | 7B | 59 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
Suite pastorale: III. Sous-bois | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | G Major | 0 | 9B | 0 BPM | ||
Étude: Op. 76 No. 2 | Jean Sibelius, Alba Ventura | A Minor | 3 | 8A | 111 BPM | ||
Paganini / Arr. Kreisler: Violin Concerto No. 2 in B Minor, Op. 7 "La campanella": III. Rondo "La campanella" | Niccolò Paganini, Julie Berthollet, Guillaume Vincent | B Minor | 2 | 10A | 142 BPM | ||
Sarasate: Zigeunerweisen, Op. 20 | Pablo de Sarasate, Itzhak Perlman, Abbey Road Ensemble | C Minor | 1 | 5A | 83 BPM |