"Sarasate: Zigeunerweisen, Op. 20" by Pablo de Sarasate, Itzhak Perlman, Abbey Road Ensemble was released on September 30, 1995. Since Sarasate: Zigeunerweisen, Op. 20 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 4 out of 11 in A La Carte by Itzhak Perlman. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Sarasate: Zigeunerweisen, Op. 20 is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sarasate: Zigeunerweisen, Op. 20 by Pablo de Sarasate, Itzhak Perlman, Abbey Road Ensemble is Andante (at a walking pace), since this song has a tempo of 83 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Beethoven: Romance for Violin and Orchestra No. 2 in F Major, Op. 50 | Ludwig van Beethoven, Itzhak Perlman, Daniel Barenboim, Berliner Philharmoniker | F Major | 1 | 7B | 100 BPM | ||
Dvořák: 4 Romantic Pieces, Op. 75, B. 150: No. 1, Allegro moderato | Antonín Dvořák, Itzhak Perlman, Samuel Sanders | B♭ Major | 1 | 6B | 114 BPM | ||
Beethoven: Violin Concerto in D Major, Op. 61: III. Rondo. Allegro | Ludwig van Beethoven, Itzhak Perlman, Carlo Maria Giulini, Philharmonia Orchestra | A Minor | 2 | 8A | 113 BPM | ||
Symphony No. 5 in C Minor, Op. 67: 1. Allegro con brio | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | C Minor | 3 | 5A | 98 BPM | ||
Wagner: Albumblatt, WWV 94 | Richard Wagner, Renaud Capuçon | A Major | 2 | 11B | 87 BPM | ||
Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | ||
Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (a) Poco adagio, cantabile | Franz Joseph Haydn, Alban Berg Quartett | B♭ Major | 1 | 6B | 101 BPM | ||
Masquerade Suite: Maskarad (Masquerade): I. Waltz | St. Petersburg State Symphony Orchestra, Aram Khachaturian | C Major | 3 | 8B | 94 BPM | ||
Bach, J.S.: Violin Partita No. 2 in D Minor, BWV 1004: III. Sarabande | Johann Sebastian Bach, Itzhak Perlman | D Minor | 1 | 7A | 98 BPM | ||
Etude in D-Sharp Minor, Op. 8, No. 12: Patetico - Remastered | Alexander Scriabin, Vladimir Horowitz | D♭ Minor | 3 | 12A | 72 BPM |