Alexander Scriabin, Vladimir Horowitz's 'Etude in D-Sharp Minor, Op. 8, No. 12: Patetico - Remastered' came out on 1951. The duration of Etude in D-Sharp Minor, Op. 8, No. 12: Patetico - Remastered is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. Etude in D-Sharp Minor, Op. 8, No. 12: Patetico - Remastered's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Alexander Scriabin, Vladimir Horowitz's "Horowitz Plays Scriabin (Remastered)" album is number 3 out of 39. On top of that, United States appears to be the country where this track was created. Etude in D-Sharp Minor, Op. 8, No. 12: Patetico - Remastered is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Etude in D-Sharp Minor, Op. 8, No. 12: Patetico - Remastered by Alexander Scriabin, Vladimir Horowitz to be Adagio (slowly with great expression) because the track has a tempo of 72 テンポ, a half-time of 36テンポ, and a double-time of 144 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Liebesleid (Love's Sorrow) | Fritz Kreisler, Sergei Rachmaninoff, RueiBin Chen | A Major | 2 | 11B | 98 BPM | ||
6 Pezzi, P. 44: No. 6. Internmezzo-serenata | Ottorino Respighi, Konstantin Scherbakov | A Major | 0 | 11B | 83 BPM | ||
Violin Concerto No. 4 in D Minor, Op. 31: II. Adagio religioso | Henri Vieuxtemps, Hilary Hahn, Deutsche Kammerphilharmonie Bremen, Paavo Järvi | E♭ Major | 1 | 5B | 66 BPM | ||
Dolly, Op.56: 4. Kitty-Valse | Gabriel Fauré, Katia Labèque, Marielle Labèque | E♭ Major | 1 | 5B | 101 BPM | ||
Valse Mélancolique | Vladimir Rebikov, Christopher Ferreira | B Minor | 1 | 10A | 113 BPM | ||
Piano Sonata No. 23 in F Minor, Op. 57 "Appassionata": I. Allegro assai | Ludwig van Beethoven, Jenő Jandó | F Minor | 1 | 4A | 175 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): IV. Séguedille | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 0 | 10B | 176 BPM | ||
The Seasons, Op. 37b: VI. June, "Barcarolle" | Pyotr Ilyich Tchaikovsky, Yefim Bronfman | G Minor | 0 | 6A | 87 BPM | ||
Carmen (Bizet) - Fantasie brillante | Jenő Hubay, Gil Shaham, Akira Eguchi | D Major | 2 | 10B | 114 BPM | ||
8 Études, Op. 42: No. 5 in C-Sharp Minor | Alexander Scriabin, Evgeny Kissin | D♭ Minor | 2 | 12A | 132 BPM |