"Beethoven: Romance for Violin and Orchestra No. 2 in F Major, Op. 50" by Ludwig van Beethoven, Itzhak Perlman, Daniel Barenboim, Berliner Philharmoniker was released on 1989. Since Beethoven: Romance for Violin and Orchestra No. 2 in F Major, Op. 50 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 5 out of 5 in Beethoven: Violin Concerto & 2 Romances by Ludwig van Beethoven, Itzhak Perlman. In terms of popularity, Beethoven: Romance for Violin and Orchestra No. 2 in F Major, Op. 50 is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Beethoven: Romance for Violin and Orchestra No. 2 in F Major, Op. 50 by Ludwig van Beethoven, Itzhak Perlman, Daniel Barenboim, Berliner Philharmoniker is Andante (at a walking pace), since this song has a tempo of 100 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata No. 16 in B Flat Major, II. Adagio | Maria João Pires | E♭ Major | 0 | 5B | 96 BPM | ||
L’arlésienne Suite No. 1, Op. 23bis, WD 40: IV. Carillon | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | E Major | 0 | 12B | 143 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 1 | 10B | 119 BPM | ||
Paganini: 24 Caprices, Op. 1: No. 1 in E Major | Niccolò Paganini, Itzhak Perlman | E Major | 3 | 12B | 102 BPM | ||
Salut d'amour, Op. 12 | Edward Elgar, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Major | 1 | 10B | 80 BPM | ||
Il Corsaro: Overture | Giuseppe Verdi, Berliner Philharmoniker, Herbert von Karajan | D Major | 0 | 10B | 105 BPM | ||
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
Violin Concerto No. 5 in A Major, K. 219 "Turkish": 3. Rondeau. Tempo di Menuetto - Cadenza: Joseph Joachim | Wolfgang Amadeus Mozart, Joseph Joachim, Itzhak Perlman, Wiener Philharmoniker, James Levine | G Major | 2 | 9B | 127 BPM | ||
Mozart: Flute Concerto No. 2 in D Major, K. 314: I. Allegro aperto | Wolfgang Amadeus Mozart, Claudio Abbado, Emmanuel Pahud, Berliner Philharmoniker | D Major | 1 | 10B | 123 BPM | ||
Raff: Cavatina in A-Flat Major, Op. 85, No. 3 | Joachim Raff, Itzhak Perlman | D Major | 2 | 10B | 100 BPM |