Coro del Gran Teatro Lírico de Bacelona, Fidela Campiña, Carlo Galeffi's 'Las Golondrinas: "Final, Se marcha"' came out on May 15, 1999. With this song being around four minutes long, at 4:10, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Various Artists's "Las Golondrinas" album is number 8 out of 20. On top of that, Spain appears to be the country where this track was created. Based on our statistics, Las Golondrinas: "Final, Se marcha"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Las Golondrinas: "Final, Se marcha" by Coro del Gran Teatro Lírico de Bacelona, Fidela Campiña, Carlo Galeffi to be Allegro (fast, quick, and bright) because the track has a tempo of 129 テンポ, a half-time of 64テンポ, and a double-time of 258 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Don Quichote - Acte IV - Le patio de la belle Dulcinée : Alors, traitresse, je n'ai plus rien à espérer (Juan, Pedro, Garcias, Rodriguez, Dulcinée) | Jules Massenet, Teresa Berganza | C Minor | 0 | 5A | 139 BPM | ||
L'italiana in Algeri: Atto I. Introduzione. Serenate il mesto ciglio | Gioachino Rossini, La Cetra Vokalensemble Basel, Lilian Farahani, Esther Kuiper, José Coca Loza, Ricardo Seguel, Orchestra Of The 18th Century, Giancarlo Andretta | B Minor | 2 | 10A | 125 BPM | ||
Puts: The Hours, Act 1: "Oh! A Reminder, Ma’am, Your Sister's Coming at Two" (Nelly, Virginia, Richie, Laura, Kitty, Chorus, Angelica, Quentin, Julian, Man Under the Arch) [Live] | Kevin Puts, Yannick Nézet-Séguin, Atticus Ware, Eve Gigliotti, John Holiday, Joyce DiDonato, Kai Edgar, Kelli O'Hara, Lena Josephine Marano, Metropolitan Opera Chorus, Patrick Scott McDermott, Sylvia D'Eramo, Metropolitan Opera Orchestra | A Major | 1 | 11B | 79 BPM | ||
Requiem, Op. 63: Ib. Te decet hymnus – | Charles Villiers Stanford, Carolyn Sampson, James Way, Ross Ramgobin, Marta Fontanals-Simmons, University of Birmingham Voices, City Of Birmingham Symphony Orchestra, Martyn Brabbins | E Minor | 1 | 9A | 79 BPM | ||
The Bartered Bride: ACT I, Jeník, Mařenka Jako matka požehnáním | Bedřich Smetana, Tomáš Juhás, Jiří Bělohlávek, BBC Symphony Orchestra, Dana Buresova | B♭ Major | 1 | 6B | 71 BPM | ||
Adriana Lecouvreur / Act 1: "Del sultano Amuratte..." - Io son l'umile ancella | Francesco Cilea, Renata Tebaldi, Silvio Maionica, Franco Ricciardi, Giulio Fioravanti, Dora Carral, Fernanda Cadoni, Giovanni Foiani, Angelo Mercuriali, Orchestra dell'Accademia Nazionale di Santa Cecilia, Franco Capuana | A♭ Major | 2 | 4B | 167 BPM | ||
Cherubini: Medea, Act 1: "Colco! Pensier fatal!" (Glauce, Giasone, Creonte) | Luigi Cherubini, Renata Scotto, Giuseppe Modesti, Mirto Picchi, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | G Major | 2 | 9B | 115 BPM | ||
Tacea la Notte Placida (Il Trovatore) | Renata Tebaldi, Orchestre de la Suisse Romande | D Major | 3 | 10B | 85 BPM | ||
Lucia di Lammermoor, Act II: Appressati, Lucia | Gaetano Donizetti, Stefano Antonucci, Orchestra del Teatro Carlo Felice di Genova, Andriy Yurkevych | D Major | 1 | 10B | 88 BPM | ||
Puccini: Tosca, Act 2: "Orsù, Tosca, parlate" (Scarpia, Tosca, Cavaradossi, Spoletta, Sciarrone) | Giacomo Puccini, Antonio Pappano, Angela Gheorghiu, David Cangelosi, Roberto Alagna, Ruggero Raimondi, Sorin Coliban, Orchestra of the Royal Opera House & Covent Garden | D Major | 0 | 10B | 84 BPM |