Luigi Cherubini, Renata Scotto, Giuseppe Modesti, Mirto Picchi, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin's 'Cherubini: Medea, Act 1: "Colco! Pensier fatal!" (Glauce, Giasone, Creonte)' came out on 1958. With Cherubini: Medea, Act 1: "Colco! Pensier fatal!" (Glauce, Giasone, Creonte) being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 6 out of 29 in Cherubini: Medea (1957 - Serafin) - Callas Remastered by Luigi Cherubini, Maria Callas. In terms of popularity, Cherubini: Medea, Act 1: "Colco! Pensier fatal!" (Glauce, Giasone, Creonte) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Cherubini: Medea, Act 1: "Colco! Pensier fatal!" (Glauce, Giasone, Creonte) by Luigi Cherubini, Renata Scotto, Giuseppe Modesti, Mirto Picchi, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin is Moderato (at a moderate speed), since this song has a tempo of 115 テンポ. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Madama Butterfly / Act 2: Una nave da guerra...Scuoti quelle fronda | Giacomo Puccini, Fiorenza Cossotto, Renata Tebaldi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Tullio Serafin | A Major | 2 | 11B | 83 BPM | ||
Norma: Act I: Ah! Bello a me ritorna (Norma, Oroveso, Chorus) | Vincenzo Bellini, Mario del Monaco, Nicola Zaccaria, Maria Callas, Giulietta Simionato, Gabriella Carturan, Giuseppe Zampieri, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto | G Major | 3 | 9B | 100 BPM | ||
Adriana Lecouvreur: L'anima ho stanca | Francesco Cilea, Piotr Beczala, Orquestra de la Comunitat Valenciana, Marco Boemi | B Minor | 3 | 10A | 150 BPM | ||
La vestale, Act II: Prayer: O des infortunes | Gaspare Spontini, Renata Scotto, Budapest Symphony Orchestra, Charles Rosekrans | B Minor | 1 | 10A | 68 BPM | ||
Bellini: La sonnambula, Act 2: "Ah! non credea mirarti" (Amina, Elvino) | Vincenzo Bellini, Maria Callas, Nicola Monti, Orchestra Del Teatro Alla Scala, Milano | B♭ Major | 1 | 6B | 91 BPM | ||
Il Barbiere di Siviglia: Pace e gioia sia con voi - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly, Orchestra Del Teatro Alla Scala, Milano | D Major | 1 | 10B | 93 BPM | ||
La Boheme, dritter Akt: Mimi ! | Coro del Teatro Municipale di Reggio Emilia, Orchestra del Teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli | F♯ Minor | 5 | 11A | 62 BPM | ||
Cavalleria rusticana: "O lola ch'ai di latti la cammisa" (Siciliana) | Pietro Mascagni, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | F Minor | 0 | 4A | 167 BPM | ||
Verdi: La traviata, Act 2: "Dammi tu forza, o cielo!" (Violetta, Annina) | Giuseppe Verdi, Maria Callas, Ines Marietti, Gabriele Santini, Orchestra Sinfonica Di Torino Della Rai | D Minor | 0 | 7A | 131 BPM | ||
La Boheme, zweiter Akt: Quando Men vo | Coro del Teatro Municipale di Reggio Emilia, Orchestra del Teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli | F♯ Minor | 5 | 11A | 62 BPM |