"Puts: The Hours, Act 1: "Oh! A Reminder, Ma’am, Your Sister's Coming at Two" (Nelly, Virginia, Richie, Laura, Kitty, Chorus, Angelica, Quentin, Julian, Man Under the Arch) [Live]" by Kevin Puts, Yannick Nézet-Séguin, Atticus Ware, Eve Gigliotti, John Holiday, Joyce DiDonato, Kai Edgar, Kelli O'Hara, Lena Josephine Marano, Metropolitan Opera Chorus, Patrick Scott McDermott, Sylvia D'Eramo, Metropolitan Opera Orchestra was released on April 26, 2024. Since Puts: The Hours, Act 1: "Oh! A Reminder, Ma’am, Your Sister's Coming at Two" (Nelly, Virginia, Richie, Laura, Kitty, Chorus, Angelica, Quentin, Julian, Man Under the Arch) [Live] is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 26 in the song's album "Puts: The Hours (Live)". In this album, this song's track order is #14. Furthermore, we believe that the track originated from United States. Puts: The Hours, Act 1: "Oh! A Reminder, Ma’am, Your Sister's Coming at Two" (Nelly, Virginia, Richie, Laura, Kitty, Chorus, Angelica, Quentin, Julian, Man Under the Arch) [Live] is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Puts: The Hours, Act 1: "Oh! A Reminder, Ma’am, Your Sister's Coming at Two" (Nelly, Virginia, Richie, Laura, Kitty, Chorus, Angelica, Quentin, Julian, Man Under the Arch) [Live] by Kevin Puts, Yannick Nézet-Séguin, Atticus Ware, Eve Gigliotti, John Holiday, Joyce DiDonato, Kai Edgar, Kelli O'Hara, Lena Josephine Marano, Metropolitan Opera Chorus, Patrick Scott McDermott, Sylvia D'Eramo, Metropolitan Opera Orchestra having a テンポ of 79 with a half-time of 40 テンポ and a double-time of 158 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Strauss, R: 8 Gedichte aus "Letzte Blätter", Op. 10: No. 8, Allerseelen | Richard Strauss, Sabine Devieilhe, Mathieu Pordoy | G Minor | 0 | 6A | 82 BPM | ||
Petite messe solennelle: VI. Gloria. Gratias | Gioachino Rossini, Giulio Prandi, José Maria Lo Monaco, Edgardo Rocha, Christian Senn, Francesco Corti | A Minor | 0 | 8A | 144 BPM | ||
Six Canonic Studies, Op. 56: No. 1, Con moto egual’e dolce (Arr. for Orchestra by Robin Holloway) | Johannes Brahms, BBC Symphony Orchestra, Paul Mann | C Major | 0 | 8B | 126 BPM | ||
Puts: The Hours, Act 1: "Oh Dan. Roses? On Your Birthday?" (Laura, Dan, Richie, Chorus) [Live] | Kevin Puts, Yannick Nézet-Séguin, Brandon Cedel, Kai Edgar, Kelli O'Hara, Metropolitan Opera Chorus, Metropolitan Opera Orchestra | A Major | 1 | 11B | 79 BPM | ||
Elias, Op. 70: Part I: Introduction - so wahr der Herr, der Gott Israels, lebt (Rec.) | Felix Mendelssohn, Karl-Friedrich Beringer | C Major | 1 | 8B | 104 BPM | ||
The Holy Sonnets of John Donne, Op. 35: Sonnet XIV: Batter my heart | Benjamin Britten, Steuart Bedford, Philip Langridge | C Minor | 4 | 5A | 0 BPM | ||
Eventide: X. Fugato | Kenneth Fuchs, Tim McAllister, Sinfonia Of London, John Wilson | F Major | 1 | 7B | 67 BPM | ||
Sogno d'or, SC 82 (Arr. for Voice & Orchestra by Johannes X. Schachtner) | Giacomo Puccini, Charles Castronovo, Munich Radio Orchestra, Ivan Repušić | G Major | 2 | 9B | 74 BPM | ||
Strauss, R: 8 Lieder, Op. 49: No. 1, Waldseligkeit | Richard Strauss, Sabine Devieilhe, Mathieu Pordoy | G Minor | 0 | 6A | 82 BPM | ||
Zigeunermelodien, Op. 55, B. 104 (Sung in German): No. 2. Ei, wie mein Triangel wunderherrlich lautet (Hark, how my triangle) | Antonín Dvořák, Martina Arroyo, Leonard Hokanson | F♯ Minor | 1 | 11A | 86 BPM |