"Strauss, R: 8 Lieder, Op. 49: No. 1, Waldseligkeit" by Richard Strauss, Sabine Devieilhe, Mathieu Pordoy was released on March 29, 2024. The duration of Strauss, R: 8 Lieder, Op. 49: No. 1, Waldseligkeit is about 3 minutes long, at 3:04. Based on our data, "Strauss, R: 8 Lieder, Op. 49: No. 1, Waldseligkeit" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Sabine Devieilhe, Mathieu Pordoy's "Mozart & Strauss: Lieder" album is number 6 out of 24. On top of that, United Kingdom appears to be the country where this track was created. Strauss, R: 8 Lieder, Op. 49: No. 1, Waldseligkeit is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Strauss, R: 8 Lieder, Op. 49: No. 1, Waldseligkeit by Richard Strauss, Sabine Devieilhe, Mathieu Pordoy to be Andante (at a walking pace) because the track has a tempo of 82 テンポ, a half-time of 41テンポ, and a double-time of 164 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dispersed And Transcendental Chants, Op. 18: Chant 8. The Word | Julián De La Chica, Briana Hunter, Eric Sedgwick | G Minor | 0 | 6A | 75 BPM | ||
Elektra, Op. 58, TrV 223: "Wenn das rechte Blutopfer unterm Beile fällt" | Richard Strauss, Inge Borkh, Jean Madeira, Staatskapelle Dresden, Karl Böhm | D♭ Major | 5 | 3B | 179 BPM | ||
Bach, JS: Jauchzet Gott in allen Landen, BWV 51: No. 2, Rezitativ. "Wir beten zu dem Tempel an" | Johann Sebastian Bach, Sabine Devieilhe, Raphael Pichon | A♭ Minor | 1 | 1A | 78 BPM | ||
Salome, Op. 54 / Scene 3: "Lass mich deinen Mund küssen, Jochanaan!" | Richard Strauss, Cheryl Studer, Bryn Terfel, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | G Major | 0 | 9B | 94 BPM | ||
An die ferne Geliebte, Op. 98: No. 3, Leichte Segler in den Höhen | Ludwig van Beethoven, Dietrich Fischer-Dieskau, Jörg Demus | C Major | 1 | 8B | 77 BPM | ||
Vöglein fliegt dem Nestchen zu | Peter Cornelius, Antonia Bourvé, Nadine Schuster | D Major | 0 | 10B | 127 BPM | ||
4 Poèmes d'Edmond Haraucourt, Op. 7: No. 4, Aux temps des fées | Charles Koechlin, Sandrine Piau, Orchestre Victor Hugo, Jean-François Verdier | F♯ Major | 1 | 2B | 82 BPM | ||
Otello: Deh calma, o ciel, nel sonno | Gioachino Rossini, Hera Hyesang Park, Orchestra del Teatro Carlo Felice, Jochen Rieder | F♯ Minor | 2 | 11A | 80 BPM | ||
Poulenc: Léocadia, FP 106: Les chemins de l'amour | Francis Poulenc, Sabine Devieilhe, Alexandre Tharaud | D♭ Major | 1 | 3B | 83 BPM | ||
The Laird O'Cockpen | Charlotte Hoather | E Minor | 1 | 9A | 112 BPM |