Aida, IGV 1, Act I: "Se quel guerrier io fossi! / Celeste Aida" (Radamès)

Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Carlo Sabajno, Aureliano Pertile
VERDI: AIDA
4:11 1996年6月1日
テンポ
99
キー
C Minor
キャメロットミュージックキー
5A

リンクを埋め込む

共有

Aida, IGV 1, Act I: "Se quel guerrier io fossi! / Celeste Aida" (Radamès) - Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Carlo Sabajno, Aureliano Pertile 情報

音響性
96%
ダンサビリティ
33%
エネルギー
20%
手段性
0%
活気
10%
ラウドネス
72%
話し言葉
5%
価数
11%
人気
ラウドネス
-16.774 dB

まとめ

"Aida, IGV 1, Act I: "Se quel guerrier io fossi! / Celeste Aida" (Radamès)" by Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Carlo Sabajno, Aureliano Pertile was released on June 1, 1996. With this song being around four minutes long, at 4:11, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of VERDI: AIDA by Giuseppe Verdi, Carlo Sabajno, Orchestra Del Teatro Alla Scala, Milano. The song's track number on the album is #3 out of 31 tracks. Based on our data, Italy was the country where this track was produced or recorded. In terms of popularity, Aida, IGV 1, Act I: "Se quel guerrier io fossi! / Celeste Aida" (Radamès) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Aida, IGV 1, Act I: "Se quel guerrier io fossi! / Celeste Aida" (Radamès) テンポ

Since Aida, IGV 1, Act I: "Se quel guerrier io fossi! / Celeste Aida" (Radamès) by Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Carlo Sabajno, Aureliano Pertile has a tempo of 99 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Aida, IGV 1, Act I: "Se quel guerrier io fossi! / Celeste Aida" (Radamès) being at 99 テンポ, the half-time would be 50 テンポ with a double-time of 198 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.

Aida, IGV 1, Act I: "Se quel guerrier io fossi! / Celeste Aida" (Radamès) キー

This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
L'elisir d'amore / Act II: L'elisir d'amore / Act II: "Una furtiva lagrima"Gaetano Donizetti, Luciano Pavarotti, Metropolitan Opera Orchestra, James LevineB♭ Minor13A87 BPM
Perpetuum mobile, Op. 257 by Johann Strauss II, Wiener Philharmoniker, Lorin MaazelPerpetuum mobile, Op. 257Johann Strauss II, Wiener Philharmoniker, Lorin MaazelE♭ Major25B81 BPM
Il barbiere di Siviglia / Act 1: Il barbiere di Siviglia / Act 1: "Largo al factotum"Gioachino Rossini, Hermann Prey, London Symphony Orchestra, Claudio AbbadoC Major38B142 BPM
Libiamo Ne' Lieti Calici (Brindisi) - la Traviata Atto I by Renata TebaldiLibiamo Ne' Lieti Calici (Brindisi) - la Traviata Atto IRenata TebaldiC Major18B100 BPM
The Four Seasons, Violin Concerto No. 2 in G Minor, RV 315 The Four Seasons, Violin Concerto No. 2 in G Minor, RV 315 "L'estate": III. Tempo impetuoso d'estateAntonio Vivaldi, Europa Galante, Fabio BiondiF♯ Major62B85 BPM
Prince Igor, Act II: Polovtsian Dances, Dance II by Alexander Borodin, Choir of Mariinsky Theatre, Saint Petersburg, Paavo Järvi, Orchestre Philharmonique de Radio FrancePrince Igor, Act II: Polovtsian Dances, Dance IIAlexander Borodin, Choir of Mariinsky Theatre, Saint Petersburg, Paavo Järvi, Orchestre Philharmonique de Radio FranceA Major111B75 BPM
Rossini: Il Barbiere di Siviglia: La ran la le ra la ran la la ... Largo al factotum ... (Figaro) - 1996 Remaster by Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora BarbieriRossini: Il Barbiere di Siviglia: La ran la le ra la ran la la ... Largo al factotum ... (Figaro) - 1996 RemasterGioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora BarbieriC Major48B75 BPM
Bizet: Carmen, Act 2: Bizet: Carmen, Act 2: "Les tringles des sistres tintaient" (Carmen, Frasquita, Mercédès)Georges Bizet, Maria Callas, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra ParisC Major28B138 BPM
Macbeth: Preludio by Giuseppe Verdi, Giuseppe Altomare, Olha Zhuravel, Pavel Kudinov, Rubens Pelizzari, Marco Voleri, Luca Dall'Amico, William Corro, Andrea Pistolesi, Coro Lirico Marchigiano 'V. Bellini', Marchigiana Philharmonic Orchestra, Daniele CallegariMacbeth: PreludioGiuseppe Verdi, Giuseppe Altomare, Olha Zhuravel, Pavel Kudinov, Rubens Pelizzari, Marco Voleri, Luca Dall'Amico, William Corro, Andrea Pistolesi, Coro Lirico Marchigiano 'V. Bellini', Marchigiana Philharmonic Orchestra, Daniele CallegariB♭ Minor03A116 BPM
Norma (1997 - Remaster), Act I, Scene 1: Casta diva (Norma/Coro) by Vincenzo Bellini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di MilanNorma (1997 - Remaster), Act I, Scene 1: Casta diva (Norma/Coro)Vincenzo Bellini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di MilanF Major17B140 BPM
ISRC
ITE012101638
レコードレーベル
L-M Records/RCA Records