Arthur Sullivan, Glynis Prendergast, Barbara Lilley, Jane Metcalfe, Caroline Baker, Meston Reid, Michael Rayner, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash's 'The Gondoliers / Act 2: 31. Here We Are, at the Risk of Our Lives' came out on 1977. With The Gondoliers / Act 2: 31. Here We Are, at the Risk of Our Lives being less than two minutes long, at 1:27, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Arthur Sullivan, The D'Oyly Carte Opera Company, Royal Philharmonic Orchestra, Royston Nash's "Gilbert & Sullivan: The Gondoliers" album is number 32 out of 48. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, The Gondoliers / Act 2: 31. Here We Are, at the Risk of Our Lives is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of The Gondoliers / Act 2: 31. Here We Are, at the Risk of Our Lives by Arthur Sullivan, Glynis Prendergast, Barbara Lilley, Jane Metcalfe, Caroline Baker, Meston Reid, Michael Rayner, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash to be Andante (at a walking pace) because the track has a tempo of 91 テンポ, a half-time of 46テンポ, and a double-time of 182 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Mikado: Three Little Maids from School Are We | Deborah Rees, Thora Ker, Yvonne Patrick | A♭ Major | 0 | 4B | 89 BPM | ||
Scene: - first complete recording | Gilbert & Sullivan, Arthur Sullivan, Ohio Light Opera, Steven Byess | B♭ Major | 0 | 6B | 100 BPM | ||
Wood: Fantasia on British Sea Songs: V. Jack's the Lad. Hornpipe | Sir Henry Wood, Richard Cooke, Royal Philharmonic Orchestra | A Major | 2 | 11B | 87 BPM | ||
Barber - Four songs, op. 13: Sure on this shining night | Samuel Barber, Barbara Bonney, Malcolm Martineau | G Minor | 1 | 6A | 89 BPM | ||
27. A more humane Mikado never did in Japan exist | Arthur Sullivan, John Ayldon, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | A Major | 3 | 11B | 98 BPM | ||
Cavalleria Rusticana: Easter Hymn | Pietro Mascagni, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Alexander Rahbari | G Major | 1 | 9B | 157 BPM | ||
Tannhäuser - Paris version / Act 1: "Zu dir wall ich, mein Jesus Christ" | Richard Wagner, Chorus of the Royal Opera House, Covent Garden, Norbert Balatsch, Philharmonia Orchestra, Giuseppe Sinopoli | G Major | 0 | 9B | 133 BPM | ||
The Pirates of Penzance: Overture | New D'Oyly Carte Opera Orchestra | G Major | 1 | 9B | 140 BPM | ||
Ich lade gern mir Gäste ein | Johann Strauss II, Angelika Kirchschlager, Alfred Eschwe, Tonkünstler-Orchester | D♭ Major | 1 | 3B | 130 BPM | ||
The Pirates of Penzance: I Am the Very Model | Eric Roberts | C Major | 2 | 8B | 133 BPM |