"The Pirates of Penzance: Overture" by New D'Oyly Carte Opera Orchestra was released on November 1, 1991. Since The Pirates of Penzance: Overture is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 30 in the song's album "The Pirates of Penzance (New D'Oyly Carte Opera Company Cast Recording)". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, The Pirates of Penzance: Overture's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Pirates of Penzance: Overture by New D'Oyly Carte Opera Orchestra having a テンポ of 140 with a half-time of 70 テンポ and a double-time of 280 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen, Opera Suite No. 1: II. Les Dragons d'Alcala, Act 2 | London Festival Orchestra Alfred Scholz | G Major | 0 | 9B | 120 BPM | ||
Feuerfest! Polka française, Op. 269 | Josef Strauss, Lorin Maazel, Wiener Philharmoniker | D Major | 4 | 10B | 179 BPM | ||
Depths of a Stranger | Dany Safari | D Major | 1 | 10B | 79 BPM | ||
Aunt Marge's Waltz (From "Harry Potter And The Prisoner Of Azkaban") | John Williams, Cincinnati Pops Orchestra, Erich Kunzel | F Major | 2 | 7B | 136 BPM | ||
Ballet Suite No. 3 (arr. L. Atovmyan): Dance (The Limpid Stream) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | G Major | 4 | 9B | 168 BPM | ||
Wiener Philharmoniker Fanfare, TrV 248 (Arr. Mealor) | Richard Strauss, Coronation Brass Ensemble, Paul Wynne Griffiths | C Major | 2 | 8B | 95 BPM | ||
The Bartered Bride: Overture | Bedřich Smetana, BBC Symphony Orchestra, Jiří Bělohlávek | F Major | 2 | 7B | 145 BPM | ||
Serenade | Andre Kostelanetz & His Orchestra, Andre Kostelanetz | B Major | 1 | 1B | 96 BPM | ||
Four Scottish Dances, Op. 59 - Produced | Malcolm Arnold, London Philharmonic Orchestra | G Minor | 2 | 6A | 158 BPM | ||
Rackozy March from The Damnation of Faust, Op. 24 | Hector Berlioz, Louis Lane, The Cleveland Pops Orchestra | A Major | 4 | 11B | 108 BPM |